具體描述
Hiroshi Sugimoto has explored ideas of time, empiricism and metaphysics through a surreal and formalistic approach since the 1970s. A self-described "habitual self-interlocutor," Sugimoto uses the camera as a bridge between abstract questions and the quiet, comical nature of modern everyday life. Whether formally photographing Madame Tussauds wax figures and the wildlife scenes at the American Museum of Natural History, or opening the lens of his eight-by-ten camera to capture a two-hour-long film in one exposure, he explores themes of consumerism, narrative and existence in rich and evocative imagery. This new project presents a survey of Sugimoto’s iconic work, from his calm seascapes to his more recent exploration of lightning fields and photogenic drawing. Created in conjunction with an upcoming exhibition at Fundación Mapfre in Spain, the survey includes an introduction and essay by writer and curator Philip Larratt-Smith, an interview with Sugimoto and text by the prominent Brazilian artist Iran do Espírito Santo.
用戶評價
##高中時買的第一本攝影畫冊...
評分##杉本博司
評分##後麵是關於作品的訪談
評分##＃補標 2019＃
評分##高中時買的第一本攝影畫冊...
評分##是非常哲學性的語言。
評分##廣州方所 8x10的柔軟
評分##閃電像藏在黑夜中的樹脈 /電這個詞被認為源自古希臘的elektron，意思是“琥珀”。
評分##海景/劇場/展覽標本/蠟像館/ 喜歡他在訪談裏的那句對問題坦坦蕩蕩的迴答“你的作品是對攝影的贊歌？”“是的“ 攝影的曆史是人類幻想的曆史，人類看見幻影的能力就是他們擁有視覺，這說明瞭一切。
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