村上春树(1949- ),日本小说家。曾在早稻田大学文学部戏剧科就读。1979年,他的第一部小说《听风之歌》问世后,即被搬上了银幕。随后,他的优秀作品《1973年的弹子球》、《寻羊冒险记》、《挪威的森林》等相继发表。他的创作不受传统拘束,构思新奇,行文潇洒自在,而又不流于庸俗浅薄。尤其是在刻画人的孤独无奈方面更有特色,他没有把这种情绪写成负的东西,而是通过内心的心智性操作使之升华为一种优雅的格调,一种乐在其中的境界,以此来为读者,尤其是生活在城市里的人们提供了一种生活模式或生命的体验。
"A stunning work of art," the New York Observer wrote of The Wind-Up Bird Chronicle, "that bears no comparisons," and this is also true of this magnificent new novel, which is every bit as ambitious, expansive and bewitching. A tour-de-force of metaphysical reality, Kafka on the Shore is powered by two remarkable characters. At fifteen, Kafka Tamura runs away from home, either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister. And the aging Nakata, who never recovered from a wartime affliction, finds his highly simplified life suddenly upset. Their odyssey, as mysterious to us as it is to them, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle. Yet this, like everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own. --This text refers to an out of print or unavailable edition of this title.
##读完连听了一星期的Archduke Trio
评分 评分 评分##(上图借书)还是村上大叔的风格,一是可以当悬疑小说来看因为故事的进程总是有些意外,另一个特点就是口味有点重。似乎比较喜欢看Nakata老人那条故事线。Ps.还书前最后30页在季风书店读的,那里的芝士蛋糕看上去样子一般但味道超出预期的好。
评分##圣诞节在家一口气把它看完,读到最后一页莫名的想哭。好久没有一本书带给我这样的感受。请珍惜生活。
评分##用英文读村上春树是一个祛魅的过程,没有了那些刻意的排版,更能确认他的风格是在故事脉络里。前半部分我笃定nakata是卡夫卡的幻影,中间我笃定卡夫卡是nakata的幻影,看到最后放弃了对所谓故事结局的推断游戏。卡夫卡和nakata是被什么联系在一起?是战争、自然、梦境、隐喻、命运中的痛楚。一部分的自己是落失的,而他们也并没有相遇,只是或明或暗地孤立存在着,这样或许也是一种完全。为什么父亲以Johnnie Walker的形象出现?肯德基上校和叫羊男的鸟人代表什么?还有很多人物和故事线没能被我justify,但是或许这才是这个故事想要的态度。像那滴血浸润卡夫卡的心,像故事结尾那颗雨里的泪。融入故事本身,成为它的一部分。当你走过了暴风,尽管什么也没有得到,但你已经不是同一个人了,我们都去到新世界。
评分 评分##1.看完了《海边的卡夫卡》,觉得有些作家天赋就是写短篇的。写短篇与写长篇与其说是一种才能,不如说是天生的心性。(这么一说,我喜欢的作家几乎都是写中短篇的。写长篇的一个也没有。)写长篇首先需要的是一种结构力。这可不是普通的结构力,而是一种能够把读者“结构”进来...
评分No matter how sappy Murakami gets, I will never get tired of him. Kafka on the Shore is an archetypical novel, but also a very modern one. It's about how one becomes brave and becomes themselves, accepting the dull truth of the world, while not losing interest. I am so sad to say goodbye to it.
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