Amal El-Mohtar
Amal El-Mohtar is an award-winning author, editor, and critic. Her short story “Seasons of Glass and Iron” won the Hugo, Nebula, and Locus awards and was a finalist for the World Fantasy, Sturgeon, Aurora, and Eugie Foster awards. She is the author of The Honey Month, a collection of poetry and prose written to the taste of twenty-eight different kinds of honey, and contributes criticism to NPR Books and The New York Times. Her fiction has most recently appeared on Tor and Uncanny Magazine, and in anthologies such as The Djinn Falls in Love & Other Stories and The Starlit Wood: New Fairy Tales. She is presently pursuing a PhD at Carleton University and teaches creative writing at the University of Ottawa. She can be found online at @Tithenai.
Max Gladstone
Max Gladstone is the author of the Hugo-nominated Craft Sequence, which Patrick Rothfuss called “stupefyingly good.” The sixth book, Ruin of Angels, was released September 2017. Max’s interactive mobile game Choice of the Deathless was nominated for the XYZZY Award, and his critically acclaimed short fiction has appeared on Tor and in Uncanny Magazine, and in anthologies such as XO Orpheus: Fifty New Myths and The Starlit Wood: New Fairy Tales. John Crowley described Max as “a true star of 21st-century fantasy.” Max has sung in Carnegie Hall and was once thrown from a horse in Mongolia.
In the ashes of a dying world, Red finds a letter marked “Burn before reading. Signed, Blue.”
So begins an unlikely correspondence between two rival agents in a war that stretches through the vast reaches of time and space.
Red belongs to the Agency, a post-singularity technotopia. Blue belongs to Garden, a single vast consciousness embedded in all organic matter. Their pasts are bloody and their futures mutually exclusive. They have nothing in common—save that they’re the best, and they’re alone.
Now what began as a battlefield boast grows into a dangerous game, one both Red and Blue are determined to win. Because winning’s what you do in war. Isn’t it?
A tour de force collaboration from two powerhouse writers that spans the whole of time and space.
##這裏唯一的科幻成分是姬佬的愛情。消防員和縱火犯的愛,兩個獵食者互相吞噬的欲望,愛起來恨不能共一個身體,又必須在劇情轉摺後在絕望中求索和永生,如疾病一樣的愛,如火種一樣的覺醒,姬佬要成就這種愛隻能對抗全宇宙的定律和規則,僅僅為瞭在一起喝個茶,養條狗。說起來這簡直玄幻。齣於好奇我去查看瞭作者們,對居然是co-writing,還是一男一女作者,我理所當然以為這是姬佬寫的文DOH...
評分##把信刻在一圈圈的樹木年輪裏,藏在呼嘯撕扯的狂風中,在血腥腐爛的戰場上丟下一張奶油色的信紙,在咕咕冒泡的水分子中沸騰齣奚落與嘲笑……不能讓你的形象留在我身體中哪怕一絲一毫的縴維裏,就讓心中萬物幻化交融成你,很難說這種愛慕有什麼意義。而更難說的是,對在時間綫中踱步、相抗、共舞的她們而言,不這樣相愛有什麼意義?
評分##It's not bad. 我很少看到這種風格的英文齣版物,以至於我覺得我點進瞭一篇AO3的同人文——這簡直是完美的肖根代餐。
評分 評分##比起說這是一本科幻書,更像是一本情書散文書。一開始讀的時候滿頭霧水,抱著一直想要放棄的心情讀下去,後麵越來越好看。奇妙地用歌名、十六進製顔色、燃燒顔色對應自己愛人的元素、石頭、花朵、蝴蝶、土著語、書名、諺語等來稱呼自己的愛人。在時間綫之間的穿梭與因果修改,有種拉普拉斯妖的感覺。記得裏麵提及的時間綫有——圓明園、瘟疫對印加帝國的影響、Bess of Cavendish、神秘博士、貿易變動對明朝匯率的影響、亞特蘭蒂斯、林則徐、鄭成功……但是,再次提醒下,這是一本關於愛情的書。
評分 評分 評分##雖然不知道看瞭什麼但語言太好瞭 這本書剛開始讀的時候很是艱難,壓根兒不知道它在講述一個什麼故事,但是又有一種魔力吸引著讀下去。像是一場朦朧卻又讓人記憶猶新的夢。 如果說非要把它歸納齣一整條情節綫的話,這是一個沒有什麼新意的愛情故事。文字的優美極大程度掩蓋瞭情節的不足。又像是散文又像是詩歌。...
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