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編輯推薦

適讀人群 ：4-8歲
　　哈佛大學教育學博士硃莉嚮您推薦“I Can Read！係列”：

內容簡介

Harry keeps a horse in his room. A trusty horse only he can see. But then his parents take him to the country to see real horses. Horses that are free to run, kick, and nibble. Now Harry must decide: Does his horse need to be free, too?

作者簡介

Syd Hoff (September 4, 1912 Bronx, New York – May 12, 2004) was a Jewish-American cartoonist and children's book author. Although best known for his classic early reader Danny and the Dinosaur, his cartoons appeared in a multitude of genres, including advertising commissions for such companies as Eveready Batteries, Jell-O, S.O.S Pads, Rambler, Ralston Cereal and more.

While Hoff was still in high school, Milt Gross, a popular 1930s cartoonist, told him at an assembly that "Kid, someday you'll be a great cartoonist!" At 16, he enrolled at the National Academy of Design in New York City. At 18, he sold his first cartoon to The New Yorker, and would sell a total of 571 of them to the publication from 1931 to 1975. Hoff became known for his cartoons, in The New Yorker, depicting tenements and lower-middle class life in the city.

Hoff drew two long-running syndicated comic strips: Tuffy (1939–1949) and Laugh It Off (1958–1978). One of Hoff's recurring characters, a walrus-mustached man, eventually appeared as the father in his daily Tuffy, done for the King Features Syndicate from 1940 to 1950.

His cartoons have appeared in a variety of publications including, the New Yorker, Esquire, Look magazine. He was also the host of a television show, Tales of Hoff, in which he drew and told stories.

Hoff wrote and illustrated over 60 volumes in the HarperCollins "I Can Read" series for beginning readers, most notably Sammy the Seal and the popular Danny and the Dinosaur (1958), which sold 10 million copies and has been translated into a dozen languages.

In 1976, Hoff edited and published Editorial and Political Cartooning: From Earlier Times to the Present, which contains over 700 examples of works from the world's editorial and political cartoons.

內頁插圖

前言/序言

The Horse in Harry's Room (I Can Read, Level 1)哈利的馬 [平裝] [4-8歲] 下載 mobi epub pdf txt 電子書

評分☆☆☆☆☆

個人覺得這套書很好。

評分☆☆☆☆☆

很不錯的兒童書，物有所值

評分☆☆☆☆☆

孩子還小,等她長大瞭再給她看.

評分☆☆☆☆☆

好好好好好好好好好好

評分☆☆☆☆☆

書的內容不錯，就是內容有點少，價格也不便宜

評分☆☆☆☆☆

幫同事買的，她給孩子看，說很好

評分☆☆☆☆☆

任何對這一部分內容的概括，都不可避免地要犧牲掉其細節的豐富性，而細節恰恰是這一敘述最可珍視的組成部分。我隻想談談我感觸最深的一點，就是勞動與勞動者疏離、勞動外在於勞動者的現象。調節環工廠15歲的女工陶玉鳳手法靈巧，她為胸罩放置襯骨，“她左手的大拇指上戴著一隻頂針，每放一副襯骨到鬆緊布裏邊的時候，那金屬片就會碰得哢嚓作響。哢嚓，哢嚓—那聲音有節奏地響著，像是一隻節拍器，快得我都數不過來。一個下午，我看著玉鳳放完瞭幾韆個襯骨……通常情況下，她會連續十個小時放置一個型號的胸罩襯骨。她可以做到不用中斷手中的活兒，不用抬頭也能迴答我的提問”。陶玉鳳說道：“說實話，我經常會感覺很平靜。一個人乾活兒，沒有人來打擾我。尤其是我什麼也不用考慮。如果我要考慮什麼事情，那就做得沒有這麼快瞭。所以，我盡量讓自己的腦子裏麵什麼也不要想。”對這種工作狀態，我們很難說它有多麼不好，但我感覺，在這平靜裏麵有某種讓人窒息的東西。在當地以臨摹歐美繪畫齣口海外為業的繪畫作坊裏，海斯勒問女畫師：“你喜歡畫畫嗎？”對方斬釘截鐵地迴答他：“不喜歡，一點都不喜歡。”海斯勒寫道：“她從來沒有因為興趣而畫過畫—當我問她有沒有這種可能性時，她看我的眼神好像是我的腦子進瞭水……我問她，她畫的哪一幅畫自己最喜歡，她說道：‘我一幅也不喜歡。’我問她有沒有崇拜過莫奈或者凡.高這類著名藝術傢的作品，她給齣瞭類似的迴答。‘沒有我最喜歡的作品，’她說道，‘那類作品跟我們現在畫的東西沒有任何聯係。’”再沒有什麼比這更生動地錶現何為“異化”瞭。對中國現代化進程的種種代價，已有太多討論，但對人的異化這一代價，我們談論得還很少。假如人被抽空瞭，那麼現代化的意義究竟在哪裏呢？

評分☆☆☆☆☆

從傳統語文教學觀到大語文教學觀是一個從知識本位嚮人本位的轉化過程。它不再以“傳道、授業、解惑”為教學的根本目的，而是以學會學習，促進人格與個性全麵發展為重點。從這一理念齣發，學生的主體地位必須得到保證，自主學習習慣必須得到培養。讓學生自由選擇自己愛讀的書籍，本身就是尊重學生個性的錶現。而學生由封閉式讀書轉為開放式閱讀，本身又極大激發其自主學習的積極性。通過大力推動課外閱讀，讓學生自己去獲取，去探求，去尋覓，去掌握，從而感受讀書的樂趣，激發更強烈的讀書欲望，最終形成習慣。課外閱讀把追求學問變成學生自覺自願的行動，有助於實現增強學生的主體意識，發展學生的主體能力，塑造學生的主體人格的目的。

評分☆☆☆☆☆

剛好之前買的書看完瞭，這本級彆也正好，繼續看

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