内容简介
A THRILLING REINVENTION OF THE VAMPIRE NOVEL BY THE MASTER OF MODERN FANTASY, GEORGE R. R. MARTIN
Abner Marsh, a struggling riverboat captain, suspects that something’s amiss when he is approached by a wealthy aristocrat with a lucrative offer. The hauntingly pale, steely-eyed Joshua York doesn’t care that the icy winter of 1857 has wiped out all but one of Marsh’s dilapidated fleet; nor does he care that he won’t earn back his investment in a decade. York’s reasons for traversing the powerful Mississippi are to be none of Marsh’s concern—no matter how bizarre, arbitrary, or capricious York’s actions may prove. Not until the maiden voyage of Fevre Dream does Marsh realize that he has joined a mission both more sinister, and perhaps more noble, than his most fantastic nightmare—and humankind’s most impossible dream.
作者简介
George R. R. Martin's bestselling A Song of Ice and Fire fantasy series has earned him the title of 'the American Tolkien'. The first book of the series has been made into a HBO TV adaptation, A Game of Thrones. He is the author of eight novels, several collections of short stories and numerous screenplays for television drama and feature films. He lives in Santa Fe, New Mexico.
乔治·雷蒙德·理查德·马丁(Geoger Raymond Richard Martin)欧美奇幻小说大师。1948年9月20日出生于美国新泽西州的贝约恩,在伊利诺伊州伊凡斯顿的西北大学就读,主修新闻写作,1971年取得硕士学位。马丁的作品主要以人物为关注点,描写细腻丰富,突破了幻想文学界固有的创作模式,多次引领阅读潮流。代表作有十大浪漫太空歌剧之一的《光逝》、由雨果奖获奖名篇扩展而成的《风港》、在杂志读者群中深受爱戴的《图夫航行记》,以及当代正统奇幻的第一经典《冰与火之歌》等。由于马丁的辉煌成就,他被誉为美国的托尔金和新世纪的海明威。从1989年开始,马丁淡出文学界,转而投身演艺界发展,其中包括《美女与野兽》的编剧和The Twilight Zone的剧本编辑。1996年他才重返文坛而开始奇幻文学的创作,处女作便是《权力的游戏》(The Game Of Throne),即为《冰与火之歌》(The Song Of Fire And Ice)的首部曲。虽然封笔几近10年,但大师风范犹在,《权力的游戏》甫出便拿下了British Fantasy Society、 世界奇幻奖和星云奖年度最佳幻想作品提名,即使是由其中抽取章节编成的Blood of the Dragon也获得多个最佳中篇奖,在科幻奇幻界引起极大的反响。在非官方的不记名奇幻作品投票中,《冰与火之歌》俨然已经可以和《魔戒》平起平坐,作者网站的访问量也是和斯蒂芬·金、J.K.罗琳等不相上下,其受欢迎的程度可见一斑。他的读者群早已是远远的超越奇幻科幻爱好者的范围,而受到更为广泛的关注。
权力的游戏已在HBO播出。乔治·马丁被时代杂志评选为2011年影响世界的一百人。
精彩书评
“A novel that will delight fans of both Stephen King and Mark Twain . . . darkly romantic, chilling and rousing by turns . . . a thundering success.”
—Roger Zelazny
“An adventure into the heart of darkness that transcends even the most inventive vampire novels . . . Fevre Dream runs red with original, high adventure.”
—Los Angeles Herald Examiner
“Stands alongside Anne Rice’s Interview with the Vampire as a revolutionary work.”
—Rocky Mountain News
“Engaging and meaningful.”
—The Washington Post Book World
精彩书摘
Chapter OneSt. Louis, April 1857 Abner Marsh rapped the head of his hickory walking stick smartly on the hotel desk to get the clerk’s attention. “I’m here to see a man named York,” he said. “Josh York, I believe he calls hisself. You got such a man here?”
The clerk was an elderly man with spectacles. He jumped at the sound of the rap, then turned and spied Marsh and smiled. “Why, it’s Cap’n Marsh,” he said amiably. “Ain’t seen you for half a year, Cap’n. Heard about your misfortune, though. Terrible, just terrible. I been here since ’36 and I never seen no ice jam like that one.”
“Never you mind about that,” Abner Marsh said, annoyed. He had anticipated such comments. The Planters’ House was a popular hostelry among steamboatmen. Marsh himself had dined there regularly before that cruel winter. But since the ice jam he’d been staying away, and not only because of the prices. Much as he liked Planters’ House food, he was not eager for its brand of company: pilots and captains and mates, rivermen all, old friends and old rivals, and all of them knowing his misfortune. Abner Marsh wanted no man’s pity. “You just say where York’s room is,” he told the clerk peremptorily.
The clerk bobbed his head nervously. “Mister York won’t be in his room, Cap’n. You’ll find him in the dining room, taking his meal.”
“Now? At this hour?” Marsh glanced at the ornate hotel clock, then loosed the brass buttons of his coat and pulled out his own gold pocket watch. “Ten past midnight,” he said, incredulous. “You say he’s eatin’?”
“Yes sir, that he is. He chooses his own times, Mister York, and he’s not the sort you say no to, Cap’n.”
Abner Marsh made a rude noise deep in his throat, pocketed his watch, and turned away without a word, setting off across the richly appointed lobby with long, heavy strides. He was a big man, and not a patient one, and he was not accustomed to business meetings at midnight. He carried his walking stick with a flourish, as if he had never had a misfortune, and was still the man he had been.
The dining room was almost as grand and lavish as the main saloon on a big steamer, with cut-glass chandeliers and polished brass fixtures and tables covered with fine white linen and the best china and crystal. During normal hours, the tables would have been full of travelers and steamboatmen, but now the room was empty, most of the lights extinguished. Perhaps there was something to be said for midnight meetings after all, Marsh reflected; at least he would have to suffer no condolences. Near the kitchen door, two Negro waiters were talking softly. Marsh ignored them and walked to the far side of the room, where a well-dressed stranger was dining alone.
The man must have heard him approach, but he did not look up. He was busy spooning up mock turtle soup from a china bowl. The cut of his long black coat made it clear he was no riverman; an Easterner then, or maybe even a foreigner. He was big, Marsh saw, though not near so big as Marsh; seated, he gave the impression of height, but he had none of Marsh’s girth. At first Marsh thought him an old man, for his hair was white. Then, when he came closer, he saw that it was not white at all, but a very pale blond, and suddenly the stranger took on an almost boyish aspect. York was clean-shaven, not a mustache nor side whiskers on his long, cool face, and his skin was as fair as his hair. He had hands like a woman, Marsh thought as he stood over the table.
He tapped on the table with his stick. The cloth muffled the sound, made it a gentle summons. “You Josh York?” he said.
York looked up, and their eyes met.
Till the rest of his days were done, Abner Marsh remembered that moment, that first look into the eyes of Joshua York. Whatever thoughts he had had, whatever plans he had made, were sucked up in the maelstrom of York’s eyes. Boy and old man and dandy and foreigner, all those were gone in an instant, and there was only York, the man himself, the power of him, the dream, the intensity.
York’s eyes were gray, startlingly dark in such a pale face. His pupils were pinpoints, burning black, and they reached right into Marsh and weighed the soul inside him. The gray around them seemed alive, moving, like fog on the river on a dark night, when the banks vanish and the lights vanish and there is nothing in the world but your boat and the river and the fog. In those mists, Abner Marsh saw things; visions swift-glimpsed and then gone. There was a cool intelligence peering out of those mists. But there was a beast as well, dark and frightening, chained and angry, raging at the fog. Laughter and loneliness and cruel passion; York had all of that in his eyes.
But mostly there was force in those eyes, terrible force, a strength as relentless and merciless as the ice that had crushed Marsh’s dreams. Somewhere in that fog, Marsh could sense the ice moving, slow, so slow, and he could hear the awful splintering of his boats and all his hopes.
Abner Marsh had stared down many a man in his day, and he held his gaze for the longest time, his hand closed so hard around his stick that he feared he would snap it in two. But at last he looked away.
The man at the table pushed away his soup, gestured, and said, “Captain Marsh. I have been expecting you. Please join me.” His voice was mellow, educated, easy.
“Yes,” Marsh said, too softly. He pulled out the chair across from York and eased himself into it. Marsh was a massive man, six foot tall and three hundred pounds heavy. He had a red face and a full black beard that he wore to cover up a flat, pushed-in nose and a faceful of warts, but even the whiskers didn’t help much; they called him the ugliest man on the river, and he knew it. In his heavy blue captain’s coat with its double row of brass buttons, he was a fierce and imposing figure. But York’s eyes had drained him of his bluster. The man was a fanatic, Marsh decided. He had seen eyes like that before, in madmen and hell-raising preachers and once in the face of the man called John Brown, down in bleeding Kansas. Marsh wanted nothing to do with fanatics, with preachers, and abolitionists and temperance people.
But when York spoke, he did not sound like a fanatic. “My name is Joshua Anton York, Captain. J. A. York in business, Joshua to my friends. I
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