具体描述
David Hare was born in Sussex in 1947. He is the author of twenty-nine plays for the stage, seventeen of which have been seen at the National Theatre. These include Plenty, The Secret Rapture, Amy's View, Gethsemane, The Power of Yes and South Downs. His many screenplays for cinema and television include Damage, The Hours and The Reader. He recently wrote and directed a trilogy of films for the BBC: Page Eight, Turks & Caicos and Salting the Battlefield.
"There are times in the theatre when you suddenly find yourself in the grip of silence. There is no fidgeting or coughing, no shifting about in seats: the audience's attention is so tense it is almost palpable. This is because it is both thrilling and dangerous: a fight to the death, or the dawning of salvation. David Hare's new play, Skylight, is punctuated by such moments. They are the signs that a dramatist of the first rank is writing at full stretch, in complete command of his material, undogmatic and unafraid, unforgiving and compassionate." (Sunday Times). Skylight was revived in a new production at the Wyndham's Theatre, London, in June 2014, which received the Evening Standard Revival of the Year Award.
用户评价
##花了两个半天看完…台词中处处体现英式幽默，Kyra那句「What, missed me so badly it's taken you three years to get back in touch.」太戳泪点…一个人究竟要在何种情形下才能笑着把最难过的事情说出来…
评分 评分 评分##“我怀念一顿精美的早餐。包在餐巾里的烤片。羊角面包。镀银的咖啡壶，热气腾腾的咖啡。新鲜炒鸡蛋。这些，之前我从来没拥有过。失去之后，我对它们的怀念，比我想象得厉害得多。”
评分##至少结尾是温暖的。
评分##16年（或者15年？）在卢米埃看了NTLive版之后第一时间下单。已经忘记了当时那样被打动的理由。这回翻出来，重读二人针锋相对的讥讽，熟悉又陌生，仿佛在透视自己价值观形成的隐秘前史。还有那顿结尾的丽兹早餐，在纠缠前夜之后到来，雪白的桌布如房间外的初雪一般纯净，治愈。
评分##探讨的东西太多了，然而看到world is not a court的时候，还是希望他们可以在一起，可是krya想要的早餐，确实edward给她带来的礼物，sad
评分##谁能想到积读选手唯一一个看完NTLive版之后还想翻开剧本的动力竟然是论文用了这个戏做案例分析呢。David Hare太妥帖了，稳稳当当是我吃的那种客厅戏，虽然本悲剧爱好者还是更喜欢阿尔比Who's Afraid of Virginia Woolf刻薄挖苦的黑色，但听David Hare讲左派年轻女教师爱情还是很inspiring，起码在这个冬天赋予我一秒钟生活下去的勇气。
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