MICHELLE ZAUNER is best known as a singer and guitarist who creates dreamy, shoegaze-inspired indie pop under the name Japanese Breakfast. She has won acclaim from major music outlets around the world for releases like Psychopomp (2016) and Soft Sounds from Another Planet (2017).
From the indie rockstar of Japanese Breakfast fame, and author of the viral 2018 New Yorker essay that shares the title of this book, an unflinching, powerful memoir about growing up Korean American, losing her mother, and forging her own identity.
In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; of a painful adolescence; of treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.
As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band–and meeting the man who would become her husband–her Koreanness began to feel ever more distant, even as she found the life she wanted to live. It was her mother’s diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her.
Vivacious and plainspoken, lyrical and honest, Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.
##好小氣推薦,Audible上聽的第一本書,作者的聲音低沉又具有安慰性,即使如此,讀到很多很多片段我都在想她怎麼做到不帶哭腔地讀齣?太真實瞭太誠實瞭,關於很多很多和死亡有關的心思,都被她細緻地捕捉到瞭。親人去世後對周圍沒有經曆失去的人的怨恨,照顧媽媽時對爸爸不能作為可靠夥伴的失望,和對照顧媽媽更熟練的阿姨的抗拒,想要用自己的婚禮讓媽媽轉移注意力並且讓自己美的更自信的小小願望,媽媽生病時想要化身為完美女兒為媽媽承擔痛苦的念頭,媽媽去世後學習做各種韓國傳統料理努力不要讓自己身上來自媽媽那部分身份丟失掉。但是聽到作者說,父母的傢被齣售,那些帶有迴憶的地方不復存在,還是有些酸楚。失去後的重建,就像白菜被發酵成泡菜一樣,盡管腐爛,卻隨後以另一種方式獲得瞭新生。
評分##每本母女之間的迴憶錄對我來說都是一種學習,好像是在“偷窺”彆人傢裏,那種復雜的無法割捨的情感是怎樣的。讀書的時候也一直在想我媽會做的菜,我一道都不會。
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