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内容简介

This picture book begins placidly (and familiarly) enough, with three pigs collecting materials and going off to build houses of straw, sticks, and bricks. But the wolf's huffing and puffing blows the first pig right out of the story ...and into the realm of pure imagination. The transition signals the start of a freewheeling adventure with characteristic David Wiesner effects—cinematic flow, astonishing shifts of perspective, and sly humor, as well as episodes of flight.

Satisfying both as a story and as an exploration of the nature of story, The Three Pigs takes visual narrative to a new level. Dialogue balloons, text excerpts, and a wide variety of illustration styles guide the reader through a dazzling fantasy universe to the surprising and happy ending. Fans of Tuesday's frogs and Sector 7's clouds will be captivated by old friends—the Three Pigs of nursery fame and their companions—in a new guise.

三只小猪一样是小猪三兄弟，一样盖自己的小房子，大灰狼还是来敲门。但是这次大灰狼不是从烟囱里掉进滚烫的汤里，而是把三只小猪吹出故事了。故事外是安全的吗？三只小猪怎么样躲过坏心的大野狼呢？这次大卫·威斯纳要让你知道:原来，故事也可以这样讲……

作者简介

David Wiesner's interest in visual storytelling dates back to high school days when he made silent movies and drew wordless comic books. Born and raised in Bridgewater, New Jersey, he graduated from the Rhode Island School of Design with a BFA in Illustration. While a student, he created a painting nine feet long, which he now recognizes as the genesis of Free Fall, his first book of his own authorship, for which he was awarded a Caldecott Honor Medal in 1989. David won his first Caldecott Medal in 1992 for Tuesday, and he has gone on to win twice more: in 2002 for The Three Pigs and in 2007 for Flotsam. He is only the second person in the award's history to win the Caldecott Medal three times. David and his wife, Kim Kahng, and their two children live near Philadelphia, where he devotes full time to illustration and she pursues her career as a surgeon.

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精彩书评

Wiesner has created a funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories.
--Booklist, ALA, Starred Review

"Children will delight in the changing perspectives...and the whole notion of the interrupted narrative...fresh and funny...Witty dialogue and physical comedy abound in this inspired retelling of a familiar favorite.
--School Library Journal, Starred

As readers have come to expect from the inventive works of Wiesner, nothing is ever quite as it seems in his picture books. This version of the pigs' tale starts off traditionally enough —warm, inviting watercolor panels show in succession the tiny houses, their owner-builders and their toothy visitor. But when the wolf begins to huff and puff, he blows the pigs right out of the illustrations. Though Wiesner briefly touched on this theme in his Free Fall (fans may note a strong resemblence between the dragon in that volume and the one featured in these pages), he takes the idea of 3-D characters operating independently of their storybooks to a new level here. The three pigs land in the margins, which open out onto a postmodern landscape hung with reams of pages made for climbing on, crawling under and folding up for paper airplane travel. Together the pigs visit a book of nursery rhymes and save the aforementioned dragon from death at the hands of the knight. When they get the dragon home, he returns their kindness by scaring the wolf off permenantly.

Even the book's younger readers will understand the distinctive visual code. As the pigs enter the confines of a storybook page, they conform to that book's illustrative style, appearing as nursery-rhyme friezes or comic-book line drawings. When the pigs emerge from the storybook pages into the meta-landscape they appear photographically clear and crisp, with shadows and three dimensions. Wiesner's (Tuesday) brillant use of white space and perspective (as the pigs fly to the upper right-hand corner of a spread on their makeshift plane, or as one pig's snout dominates a full page) evokes a feeling that the characters can navigate endless possibilities —and that the range of story itself is limitless.
--Publishers Weekly, Starred

With this inventive retelling, Caldecott Medalist Wiesner (Tuesday, 1991) plays with literary conventions in a manner not seen since Scieszka's The Stinky Cheese Man and Other Fairly Stupid Tales (1993). The story begins with a traditional approach in both language and illustrations, but when the wolf huffs and puffs, he not only blows down the pigs' wood and straw houses, but also blows the pigs right out of the story and into a parallel story structure. The three pigs (illustrated in their new world in a more three-dimensional style and with speech balloons) take off on a postmodern adventure via a paper airplane folded from the discarded pages of the traditional tale. They sail through several spreads of white space and crash-land in a surreal world of picture-book pages, where they befriend the cat from "Hey Diddle Diddle" and a charming dragon that needs to escape with his cherished golden rose from a pursuing prince. The pigs, car and dragon pick up the pages of the original story and return to that flat, conventional world, concluding with a satisfying bowl of dragon-breath-broiled soup in their safe, sturdy brick house. The pigs have braved the new world and returned with their treasure: the cat for company and fiddle music, the dragon's golden rose for beauty, and the dragon himself for warmth and protection from the wolf, who is glimpsed through the window, sitting powerlessly in the distance. On the last few pages, the final wqords of the text break apart, sending letters drifting down into the illustrations to show us that once we have ventured out into the wider worl, out stories never stay the same.
--Kirkus Reviews with Pointers

David Wiesner's postmodern interpretation of this tale plays imaginatively with traditional picture book and story conventions and with readers' expectations of both...Wiesner explores the possibilty of different realities within a book's pages. . . . Wiesner may not be the first to thumb his nose at picture-book design rules and storytelling techniques, but he puts his own distinct print on this ambitious endeavor. There are lots of teaching opportunities to be mined here—or you can just dig into the creative possibilities of unconventionality.
--Horn Book

前言/序言

The Three Pigs 三只小猪 英文原版 [精装] [4-8岁] 电子书 下载 mobi epub pdf txt

评分☆☆☆☆☆

共38页，100多块钱，下面有四页图，基本什么都没有。

评分☆☆☆☆☆

^_^^_^^_^^_^^_^^_^^_^^_^^_^^_^^_^^_^^_^^_^^_^^_^^_^^_^

评分☆☆☆☆☆

三只小猪的故事，和以前的不一样

评分☆☆☆☆☆

获奖作品，活动收的，很划算，和我知道的版本有点区别。

评分☆☆☆☆☆

三只小猪的故事，和以前的不一样

评分☆☆☆☆☆

交罚款了解到；拉附近的激发离开的时间发看得见 法律监督法律空间都是分开啦觉得是弗兰卡觉得是弗兰卡觉得是弗兰卡技术的浪费空间啊放假啊来看大家发了可视对讲法律监督法拉克江东父老卡角度来看放假啊上来大家发手机发的是飞机啊解放啦开始就地方啦空间的十分了解啊受到了房间啊加大了是觉得烦啦开始就地方啦开始就地方啦简单觉得烦啦科技时代浪费空间爱丽丝款到即发啦睡觉地方啦睡觉地方啦空间上的浪费空间啊手机发了深刻的就发；啦睡觉地方觉得舒服啦开始就地方啦时刻记得发连锁酒店法律手段放假啊几点阿里斯顿减肥啦开始就地方啦开始就地方啦巨大了解到大煞风景阿拉斯加大幅拉升阶段分啦涉及到法律实践大幅拉升减肥大家法律监督啦空间的法拉克大煞风景阿拉斯加法律实践地方啦涉及到法律涉及到法律思考的减法拉升阶段弗兰卡觉得是弗兰卡是觉得烦啦江东父老卡时间的法拉克涉及到法律思考剪短发可怜的师傅举案说法老是打架法律监督法拉盛看见对方拉开始就地方啦看电视就发放假啊上课来得及发牢骚款到即发啦睡觉地方啦圣诞节法律实践地方劳动时间发考虑时间法律实践地方啦涉及到法律开始就地方啦开始就地方啦涉及到法律涉及到法律的老师的课件发来开始就地方啦开始就地方。

评分☆☆☆☆☆

这本绘本很好玩，大奖作品必收哈

评分☆☆☆☆☆

很好非常好

评分☆☆☆☆☆

交罚款了解到；拉附近的激发离开的时间发看得见 法律监督法律空间都是分开啦觉得是弗兰卡觉得是弗兰卡觉得是弗兰卡技术的浪费空间啊放假啊来看大家发了可视对讲法律监督法拉克江东父老卡角度来看放假啊上来大家发手机发的是飞机啊解放啦开始就地方啦空间的十分了解啊受到了房间啊加大了是觉得烦啦开始就地方啦开始就地方啦简单觉得烦啦科技时代浪费空间爱丽丝款到即发啦睡觉地方啦睡觉地方啦空间上的浪费空间啊手机发了深刻的就发；啦睡觉地方觉得舒服啦开始就地方啦时刻记得发连锁酒店法律手段放假啊几点阿里斯顿减肥啦开始就地方啦开始就地方啦巨大了解到大煞风景阿拉斯加大幅拉升阶段分啦涉及到法律实践大幅拉升减肥大家法律监督啦空间的法拉克大煞风景阿拉斯加法律实践地方啦涉及到法律涉及到法律思考的减法拉升阶段弗兰卡觉得是弗兰卡是觉得烦啦江东父老卡时间的法拉克涉及到法律思考剪短发可怜的师傅举案说法老是打架法律监督法拉盛看见对方拉开始就地方啦看电视就发放假啊上课来得及发牢骚款到即发啦睡觉地方啦圣诞节法律实践地方劳动时间发考虑时间法律实践地方啦涉及到法律开始就地方啦开始就地方啦涉及到法律涉及到法律的老师的课件发来开始就地方啦开始就地方。

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