Winner of the Pulitzer Prize, Tennessee Williams's A Streetcar Named Desire is the tale of a catastrophic confrontation between fantasy and reality, embodied in the characters of Blanche DuBois and Stanley Kowalski. This Penguin Modern Classics edition includes an introduction by Arthur Miller.'I have always depended on the kindness of strangers'Fading southern belle Blanche DuBois is adrift in the modern world. When she arrives to stay with her sister Stella in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella's crude, brutish husband Stanley Kowalski. Eventually their violent collision course causes Blanche's fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness.Tennessee Williams's steamy and shocking landmark drama, recreated as the immortal film starring Marlon Brando, is one of the most influential plays of the twentieth century.Tennessee Williams (1911-1983) was born in Columbus, Mississippi. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a shoe company. He stayed there for two years, spending the evenings writing. He received a Rockefeller Fellowship in 1940 for his play Battle of Angels, and he won the Pulitzer Prize in 1948 and 1955. Among his many other plays Penguin have published The Glass Menagerie (1944), The Rose Tattoo (1951), Cat on a Hot Tin Roof (1955), Sweet Bird of Youth (1959), The Night of the Iguana (1961), and Small Craft Warnings (1972).If you enjoyed A Streetcar Named Desire, you might like The Glass Menagerie, also available in Penguin Modern Classics.'Lyrical and poetic and human and heartbreaking and memorable and funny'Francis Ford Coppola, director of The Godfather'One of the greatest American plays'Observer
##ntlive的版本看了少说有十遍,但看剧本还是完全不一样的感受,两方的对话方式差异更为明显,感触最大的居然是音乐部分(听觉/视觉)。Blanche一辈子被那声枪声禁锢,但我想不通的是究竟什么禁锢着Stella,姐妹俩终究都以为可以靠男人拯救自己的人生。死亡的对立面到底是不是欲望,陌生人的善意又值不值得依靠啊。
评分##Whoever you are — I have always depended on the kindness of strangers.
评分##原本以为剧本这种东西就是用来演戏剧拍电影的,现在看来白字黑字上对白的张力或许更甚一筹,毕竟有更多想象和模拟人物的空间
评分##Whoever you are — I have always depended on the kindness of strangers
评分##原作的感觉比电影好多了!!!大概是因为少了嘈杂尖锐的对话声→_→ Tennessee对两种style的对白的驾驭,细读之下令人着迷,说是复调一般的感觉也不为过!还有包括音乐符号在内的各种象征也是相当有趣的
评分##好看!
评分##Whoever you are — I have always depended on the kindness of strangers
评分##原版很好看,网上找的中译本糟透了,以后尽量都看原版。
评分##原本以为剧本这种东西就是用来演戏剧拍电影的,现在看来白字黑字上对白的张力或许更甚一筹,毕竟有更多想象和模拟人物的空间
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