Chinese Painting and Its Audiences

Chinese Painting and Its Audiences pdf epub mobi txt 電子書 下載 2025

Craig Clunas
想要找書就要到 靜流書站
立刻按 ctrl+D收藏本頁
你會得到大驚喜!!
Princeton University Press 2017-3-7 Hardcover 9780691171937

具體描述

Craig Clunas is Professor of the History of Art at the University of Oxford. His books include Screen of Kings: Royal Art and Power in Ming China, Empire of Great Brightness: Visual and Material Culture and Social Status in Early Modern China, an

What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition.

Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting.

Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.

用戶評價

評分

評分

評分

評分

評分

評分

評分

評分

從觀看觀眾角度(士紳,宮廷帝王,商人及人民)角度齣發,結閤瞭曆史政治社會文化角度,解析明至20世紀中國的繪畫。置於全球性研究的語境下。多的已有介紹,談點小感受吧。書中提到瞭相對於中西繪畫二分法的繪畫中存在的impurity和二十世紀麵對的inauthenticity。在看似“習以...  

評分

##Super exciting and fruitful reading. Reflecting on the field of Chinese painting and the construction of "painting" in China, with bold arguments meticulously structured and solidly grounded by social historical, textual, visual evidences.

本站所有內容均為互聯網搜尋引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度google,bing,sogou

© 2025 book.coffeedeals.club All Rights Reserved. 靜流書站 版權所有