具体描述
Hsiao-t’i Li is Professor in the Department of Chinese and History at the City University of Hong Kong.
Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China experimented with both stage and scripts to present bold new plays centering on social reform. Operas became closely intertwined with social and political issues. This trend toward “politicization” was to become the most dominant theme of Chinese opera from the 1930s to the 1970s, when ideology-laden political plays reflected a radical revolutionary agenda.
Drawing upon a rich array of primary sources, this book focuses on the reformed operas staged in Shanghai and Xi’an. By presenting extensive information on both traditional/imperial China and revolutionary/Communist China, it reveals the implications of these “modern” operatic experiences and the changing features of Chinese operas throughout the past five centuries. Although the different genres of opera were watched by audiences from all walks of life, the foundations for opera’s omnipresence completely changed over time.
用户评价
##typical 李孝悌；argument上很大程度上是对清末民初启蒙一书的扩展
评分##这本书其实是在李孝悌1996年博士论文的基础上改写的，这本书与他的《清末的下层社会启蒙运动》和《明清以降的宗教城市与启蒙》在意旨上真是一脉相承。其中有一章写到了西安易俗社的戏曲改革。
评分##这本书其实是在李孝悌1996年博士论文的基础上改写的，这本书与他的《清末的下层社会启蒙运动》和《明清以降的宗教城市与启蒙》在意旨上真是一脉相承。其中有一章写到了西安易俗社的戏曲改革。
评分额有点迷...
评分##这本书其实是在李孝悌1996年博士论文的基础上改写的，这本书与他的《清末的下层社会启蒙运动》和《明清以降的宗教城市与启蒙》在意旨上真是一脉相承。其中有一章写到了西安易俗社的戏曲改革。
评分##typical 李孝悌；argument上很大程度上是对清末民初启蒙一书的扩展
评分 评分##这本书其实是在李孝悌1996年博士论文的基础上改写的，这本书与他的《清末的下层社会启蒙运动》和《明清以降的宗教城市与启蒙》在意旨上真是一脉相承。其中有一章写到了西安易俗社的戏曲改革。
评分##这本书其实是在李孝悌1996年博士论文的基础上改写的，这本书与他的《清末的下层社会启蒙运动》和《明清以降的宗教城市与启蒙》在意旨上真是一脉相承。其中有一章写到了西安易俗社的戏曲改革。
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