內容簡介
《澳大利亞文化研究(第1輯)》內容包括瞭新世紀澳研人纔的成長與發展——黃源深教授訪談、死亡與重生——淺析《特萊龐的愛情》中的生存悲劇、描寫女性的話語——易裝和柔弱的《珈洛什先生》、走嚮世界輝煌——澳大利亞現當代詩歌發展100年、澳大利亞女性文學:來自底層等。
目錄
學者訪談
新世紀澳研人纔的成長與發展——黃源深教授訪談 周小進
作傢作品
Modern Is As Modem Does:
Taking the Novel Forward in For Love Alone Nicbolas Birns
Australian and Global Culture in Questions of Travel Nicolette Stasko
The Chinese Poetess in all Australian Setting:Cultural Translation in Brian Castro's The Garden Book
Wang Guanglin
The Outsider in the Work of Thea Astley Wang Hui
Negotiating Power between the Author and the Hero—A Stylistic Inquiry into Coetzee's Slow Man Xing Cbunli
死亡與重生——淺析《特萊龐的愛情》中的生存悲劇 吳寶康
描寫女性的話語——易裝和柔弱的《珈洛什先生》華燕
文壇縱覽
走嚮世界輝煌——澳大利亞現當代詩歌發展100年 陳曦 陳正發
澳大利亞女性文學:來自底層 硃曉映
社會文化
Giving Diggers a Rest or Resurrecting Them?(Under)Mining the Australian National Narrative Lars Jensen
澳大利亞食品安全管理及對中國的啓示侯敏躍 肖燕燕
本輯澳研中心
本輯澳研學人
精彩書摘
《澳大利亞文化研究(第1輯)》:
Which comes close to evoking why I find Stead so particularly appealing at thisjuncture in our shared history.
In her one sustained piece of what might be called literary theory, Stead spokeof herself as writing the "many-charactered novel" and also the "novel of strife."The winning aspect of the community of For Love Alone is, paradoxically, that it is soadversarial, and that the involvement of Teresa and Crow, not fated to be one of thegreat love stories as one of its parties at first hopes, limns an antagonism which yetimplies a world of dependency, of vulnerability, and of mutual caring. The differencebetween the Victorian multiplot novel and Stead's modem many-charactered novel is thatthe former presumes a sort of teleology that its residues, Sam Politt and Jonathan Crow,presume in the modem era and as modem, but which ends up being chimerical. Teresa'sacceptance of a many-charactered world she had once thought was animated by lovealone is educated, though not disappointed, by these new circumstances. Far from simplygoing home to England out of colonial nostalgia, Teresa pilots herself on a mission thatnot only safeguards her own autonomy but brings a genre in peril on to a new threshold.In vastly changed social and economic circumstances, Teresa today can still stand for usas a pilot.
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