An astonishing—and astonishingly entertaining—history of Hollywood’s transformation over the past five decades as seen through the agency at the heart of it all, from the #1 bestselling co-author of Live from New York and Those Guys Have All the Fun.
The movies you watch, the TV shows you adore, the concerts and sporting events you attend—behind the curtain of nearly all of these is an immensely powerful and secretive corporation known as Creative Artists Agency. Started in 1975, when five bright and brash employees of a creaky William Morris office left to open their own, strikingly innovative talent agency, CAA would come to revolutionize the entertainment industry, and over the next several decades its tentacles would spread aggressively throughout the worlds of movies, television, music, advertising, and investment banking.
Powerhouse is the fascinating, no-holds-barred saga of that ascent. Drawing on unprecedented and exclusive access to the men and women who built and battled with CAA, as well as financial information never before made public, author James Andrew Miller spins a tale of boundless ambition, ruthless egomania, ceaseless empire building, greed, and personal betrayal. It is also a story of prophetic brilliance, magnificent artistry, singular genius, entrepreneurial courage, strategic daring, foxhole brotherhood, and how one firm utterly transformed the entertainment business.
Here are the real Star Wars—complete with a Death Star—told through the voices of those who were there. Packed with scores of stars from movies, television, music, and sports, as well as a tremendously compelling cast of agents, studio executives, network chiefs, league commissioners, hedge fund managers, tech CEOs, and media tycoons, Powerhouse is itself a Hollywood blockbuster of the most spectacular sort.
JAMES ANDREW MILLER
is an award-winning journalist and co-author of the #1 New York Times bestseller Those Guys Have All the Fun: Inside the World of ESPN; Live from New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests, which spent four months on the New York Times bestseller list; and Running in Place: Inside the Senate, also a bestseller. He has written for The Washington Post, The New York Times, Vanity Fair, and many others. He is a graduate of Occidental College, Oxford University, and Harvard Business School, all with honors.,这本精装书的质感本身就传递出一种对内容严肃性的保证。我注意到,它似乎采取了一种非常宏观的视角来审视好莱坞的诞生与发展,试图将之置于更广阔的社会经济背景下去考察。我从其开篇的论述中感受到了一种强大的分析力量,它似乎不满足于停留在明星八卦层面,而是要深入到制度设计、人才选拔机制以及市场开拓策略这些核心骨架上。这种层层剥茧的写作风格,非常对我的胃口。它承诺的,是一种对“权力核心”的深入窥探,那种关于谁制定了规则、规则如何塑造了艺术产出的讨论,对我来说具有极大的吸引力。读这样的书,就像是获得了一张进入历史核心操作室的通行证,令人屏息凝神。
评分这本书真是让人眼前一亮,从拿到手的瞬间起,那种厚重感和精美的装帧就预示着它绝非泛泛之作。虽然我还没来得及深入阅读其中的每一个细节,但仅仅是翻阅目录和前言,就已经被作者构建的宏大叙事框架所吸引。它似乎不仅仅是在罗列好莱坞那些光鲜亮丽的幕后故事,更像是在解剖一个时代的脉搏,探讨那些驱动着巨大造梦机器运转的无形力量。那种对历史脉络的梳理和对关键人物命运的捕捉,从字里行间都能感受到一种深沉的洞察力。我尤其期待它能揭示那些我们习以为常的经典电影背后,那些不为人知、充满了挣扎与妥协的真实人性。这本书的排版和纸质都体现出一种对阅读体验的尊重,让人愿意沉下心来,慢慢品味其中蕴含的年代气息和行业秘辛。它散发出的那种专业与热忱的混合气息,让人对即将展开的阅读旅程充满了无尽的好奇与期待。
评分这本书的入手体验简直是一种享受,那种沉甸甸的实在感,让我想起了从前那些需要用心对待的经典文献。尽管我尚未能通读全书,但仅仅是瞥见其中对早期制片厂制度建立过程的描述,就已让人感受到一股强大的叙事张力。它似乎有一种魔力,能把那些看似陈旧的历史片段重新赋予鲜活的生命力。我能想象,作者在撰写此书时,必然是穿梭于无数尘封的档案和珍贵的第一手资料之间,才得以构建出如此立体而又充满张力的画面。这种对细节的执着和对历史真相的追寻,使得这本书具有了一种超越时间的魅力。它不只是关于好莱坞的过去,更像是一堂关于“如何构建全球文化霸权”的精彩课程,而且是用最引人入胜的方式呈现出来的。
评分我必须说,这本装帧考究的读物,光是放在书架上就显得卓尔不群。它所散发出的那种历史的厚重感,似乎能穿透纸张,直抵人心。从我粗略翻阅的那些引人入胜的章节标题来看,作者显然下足了功夫,没有满足于表面的光鲜亮丽,而是深入挖掘了好莱坞体系内部那些错综复杂的关系网和权力博弈。这不像是一本简单的回忆录,更像是一部精心编纂的行业编年史,用极其细腻的笔触勾勒出那些塑造了我们共同文化记忆的“巨人”们的真实面貌。我感觉,这本书的价值不仅在于它能告诉我们“发生了什么”,更在于它能解释“为什么会发生”,以及这些决策对后续几十年电影工业走向产生了何种深远的影响。这种深层次的剖析,远超出了普通影迷的八卦需求,触及了艺术、商业与社会权力交织的核心地带,让人不禁拍案叫绝。
评分坦白讲,我是一个对文化工业的幕后运作有着强烈探究欲的人,而这本书的封面和厚度,已经在无声地宣告它的不凡。我非常欣赏作者在保持学术严谨性的同时,又不失大众可读性的平衡感。从我翻阅的零星段落中,我捕捉到了一种对“创造力”与“资本运作”之间永恒拉锯战的深刻理解。它似乎在探讨,那些伟大的艺术灵感是如何被工业化的流程所驯服、放大,乃至最终被商业利益重新定义的。这种对行业内在矛盾的坦诚揭示,恰恰是此类题材最吸引人的地方。这本书的气场非常强大,它不是在轻描淡写地讲述轶事,而是像一位资深评论家在进行一次全景式的、毫不留情的深度诊断,让人对接下来的阅读充满了期待,想看看它将如何解构那些神话。
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