‘Of course that’s how it begins: a harmless fairy tale to pass the hours’
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable new play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.
##看似Peter是最明白事理,洞悉人生意義的,他把所有的苦痛都埋藏在瞭內心的深處——Peter Pan並非是他苦痛的根源,但親人的離世和戰爭的殘忍,讓他看透瞭瞭活下去的意義——meaningless ,於是,他選擇瞭若乾年後在奔馳的列車前,結束自己。嘆息....... 嘆息人生太多無奈,就像Alice在把Barries的信件都燒掉時所說得:all the lovely words , all his heart's devotion ,gone ! As if they never existed... it was first time i realized that things don't always stay the same. Epub: http://t.cn/zHV3Buk
評分##每晚睡前看.... 然後都是懷著憂桑地心情躺下...【接著爪機隨緣...
評分##陳述兩人結局時纔意識到劇已經完瞭,感覺提瞭很多問題卻沒有真正迴答。四人交替爭論的場景很有張力,完全可以腦補。
評分##陳述兩人結局時纔意識到劇已經完瞭,感覺提瞭很多問題卻沒有真正迴答。四人交替爭論的場景很有張力,完全可以腦補。
評分##簡直要哭瞭,愛麗絲和彼得潘的原型故事太戳人心瞭TAT As a child, you're "to be forced into feelings you don't understand, to always disappoint because you don't love back enough, to be made to grow up too soon." But soon enough, there comes the place called Adulthood with "all excess banished, all joyous peculiarities excised", because they can't endure the suffering of it.
評分##簡直要哭瞭,愛麗絲和彼得潘的原型故事太戳人心瞭TAT As a child, you're "to be forced into feelings you don't understand, to always disappoint because you don't love back enough, to be made to grow up too soon." But soon enough, there comes the place called Adulthood with "all excess banished, all joyous peculiarities excised", because they can't endure the suffering of it.
評分##Perhaps we all do that when we grow up. Find safe ways to make dangerous trips. :(
評分##Peter: I have grown up. Alice hears voices off.
評分##雖然不喜歡通過抽取童年的美好與成年的痛苦將它們對立起來的手法,但是作者寫得實在是太動人瞭。卡羅爾在暗室中告訴愛麗絲·利德爾,“成年之地”陰森破舊,但在這裏,在故事中,她永遠不會受到傷害,會永遠被愛。長大後的愛麗絲結婚生子,一度認為奇境並不僅存在幻想中,但在失去兒子,一個人將要孤獨終老的時候,她選擇相信自己是那個奇境中的愛麗絲。彼得·盧埃林·戴維斯站在演齣後的舞颱上,閉著眼睛,體會到瞭永無島是真實存在的。但他卻說齣瞭最殘酷的真相:男孩長不大的唯一原因是他們死瞭,不是嗎?經曆瞭弟弟的自溺身亡和戰場的殺戮,彼得被送入瘋人院。他告訴愛麗絲不能活在幻想當中:我不是彼得·潘,你也不是奇境中的愛麗絲。結尾是令人心碎的:兩年後,愛麗絲在“那個金色下午,蜜蜂的嗡嗡聲”中安然離開,又過瞭幾年,彼得選擇瞭臥軌。
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