气势撼人 (美)高居翰,李佩桦 生活.读书.新知三联书店

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[美] 高居翰,李佩桦 著
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出版社: 生活.读书.新知三联书店
ISBN:9787108030214
商品编码:25598310635
包装:平装
出版时间:2009-08-01

具体描述

基本信息

书名:气势撼人

定价:50.00元

作者:(美)高居翰,李佩桦

出版社:生活.读书.新知三联书店

出版日期:2009-08-01

ISBN:9787108030214

字数:

页码:

版次:1

装帧:平装

开本:16开

商品重量:0.581kg

编辑推荐


高居翰的《气势撼人》,是目前为止有关十七世纪中国绘画的论著中,**震撼力的一本。
——方 闻(美国普林斯顿大学艺术史教授、大都会博物馆东方部主任)
高居翰基本上倚赖两个工具:一为其对绘画风格的精辟形式分析,另一则为其以画家之身份背景及生活方式为探讨作品内涵之切人角色。前者来自于他在西方美术史方面的训练,非一般中国传统学人所熟习,后者则出于他长年以来对中国文化传统的钻研,以及一种具有审慎批判态度的理解。通过这两个利器在画家作品上的联系,他遂得以引导读者进入时代的文化深处。
——石守谦(台湾大学艺术史研究所所长、中央研究院研究员)
中国美术由于传统太长,无论是资料掌握或观念的自由度,都形成入门的障碍。高居翰的中国美术史,提供了一个新颖而不同的视野,对我们重新面对自己的传统有耳目一新的启发性。
——蒋勋(台湾东海大学美术史教授)

内容提要


高居翰(James Cahill),1926年出生于美国加州,曾长期担任加州大学伯克利分校艺术史和研究生院的教授,以及华盛顿弗利尔美术馆中国书画部顾问,他的著作多由在各大学授课时的讲稿修订,或充分利用博物馆资源编纂而成,皆是通过风格分析研究中国绘画史的经典书籍,享有世界范围的学术声誉。
1978至1979年间,高居翰教授应哈佛大学负盛名的诺顿(Charles Eliot Norton)讲座之邀,发表系列演讲,本书所收录即当时演讲的内容。
十七世纪的中国,是一个面临改朝换代、人心惶惶的混乱时代,但在艺术史上,却是画家创作力旺盛的时代。高居翰在书中提到:“即使在世界艺术史上,欧洲十九世纪以前的画坛,也都难与十七世纪的中国画坛媲美。”这是一部以浅显的方式带领读者由小见大,进而透视中国绘画本质的大书。透过作者雄辩而生动的解析,以及丰富细腻的图版对比,读者可以毫无困难地进入中国十七世纪多位艺术大师——包括张宏、董其昌、吴彬、陈洪绶、弘仁、龚贤、王原祁、石涛——的心灵与创作世界,同时,也可以一窥中国艺术里自然与风格的复杂辩证关系。

目录


三联简体版新序
致中文读者
英文原版序
地图
章 张宏与具象山水之极限
第二章 董其昌与对传统之认可
第三章 吴彬、西洋影响及北宋山水的复兴
第四章 陈洪绶:人像写照与其他
第五章 弘仁与龚贤:大自然的变形
第六章 王原祁与石涛:法之与无法
简写书目对照表
注释
图版目录
索引

作者介绍


文摘




序言



气势撼人:中国古代绘画中的宏大叙事 《气势撼人》并非一本简单的画册,它是一次深入中国古代绘画艺术殿堂的邀约,一次对那些以磅礴气势、宏大叙事震撼心灵的杰作的探索。本书精选了中国古代绘画史上最具代表性、最具冲击力的作品,从不同维度、不同时代,解读它们为何能够穿越千年,依然激荡人心。 一、 史诗的烙印:山水画的壮阔胸怀 中国山水画,自唐宋时期发展至鼎盛,便将自然之美升华为一种精神的寄托,一种人格的写照。《气势撼人》将带领读者走进那些笔墨之间流淌着山河大地的画卷。 巨幛的震撼: 想象一下,一幅高数米、宽数丈的巨制山水画展现在眼前,那层峦叠嶂的山峰,奔腾咆哮的江河,孤傲挺立的古松,是如何在画家的笔下凝聚成一股无可匹敌的气势?本书将分析唐代李思训、李昭道的金碧山水,宋代范宽的《溪山行旅图》和关仝的《山溪待渡图》中,那巍峨耸立的山峦如何象征着帝王之威、国家之盛;而北方山水画派那种雄强、辽阔、苍劲的笔墨,又如何寄托了士人对国家统一、疆域巩固的期盼。 气韵的流动: “气韵生动”是中国绘画理论的精髓。在《气势撼人》中,我们将探讨画家如何通过线条的曲折、墨色的浓淡、皴法的运用,营造出山川的生命力。例如,南宋马远的“马一角”和夏珪的“夏半边”,虽然画面空间被压缩,但其简练的笔法,留白之处的虚实相生,反而营造出一种“有限无垠”的深远意境,让观者仿佛能听到风声鹤唳,感受到云雾缭绕。 人与自然的对话: 在宏大的山水画中,渺小的人影往往是点缀,但他们的存在却揭示了人与自然的深刻关系。无论是隐居的隐士,还是行路的商旅,他们的出现并非为了主宰自然,而是为了融入自然,体悟自然的奥秘。《气势撼人》将解读这些细节,揭示画家笔下的人文关怀,以及在天地之间,个体生命的渺小与伟岸。 时代的回响: 不同时代的社会背景,塑造了山水画不同的气韵。《气势撼人》会梳理从魏晋南北朝的“清谈”文化对山水画的初步影响,到隋唐的开放与自信,再到宋朝的内敛与思辨,直至元明清的文人情怀,每一笔都承载着历史的重量。我们会看到,那些看似静谧的山水,实则蕴含着艺术家对时代变迁、社会动荡的深刻体察。 二、 史册的缩影:人物画的叙事张力 人物画,作为中国绘画的另一重要分支,不仅记录历史事件、描绘人物肖像,更承载着道德教化、社会批判的功能。本书将深入分析那些具有强大叙事力量的人物画作。 史诗的再现: 顾恺之的《洛神赋图》、张萱的《虢国夫人游春图》、周昉的《簪花仕女图》,这些画作不仅仅是简单的故事图解,它们是艺术家对历史现场的“再造”。《气势撼人》将剖析画家如何通过人物的姿态、表情、服饰,以及场景的布置,营造出栩栩如生的戏剧性冲突与情感张力。我们将看到,那些静止的画面,如何讲述着流传千古的悲欢离合。 帝王与臣民: 描绘帝王将相、文臣武将的画像,是权力与秩序的象征。《气势撼人》将考察阎立本的《步辇图》中,吐蕃使臣与唐太宗的互动,如何体现唐朝开放包容的胸怀;明代仇英的《汉宫秋扇图》,又如何通过一个宫女的悲惨命运,折射出宫廷的寂寞与无情。这些作品,是历史的活态记录,也是社会阶层的鲜明写照。 宗教的力量: 佛教艺术在中国的发展,也催生了无数宏伟的人物画作。敦煌莫高窟的壁画,以其数量庞大、色彩绚丽、内容丰富的佛教故事,展现了宗教信仰对古人的精神塑造。《气势撼人》将选取其中的经典场景,分析画家如何运用程式化的手法,将神圣的教义转化为触手可及的视觉体验,从而震撼人心。 文人雅趣与社会风俗: 到了明清时期,随着商品经济的发展和市民阶层的兴起,人物画也呈现出更多元的面貌。唐寅、仇英等“吴门四家”的作品,描绘了文人雅士的生活场景、民间节庆的热闹景象,这些画作虽然不如帝王画作般庄重,却以其细腻的笔触、生动的细节,展现了当时社会的风貌与人情。《气势撼人》将揭示这些作品背后的社会文化信息,以及画家如何用艺术的手法捕捉鲜活的生活气息。 三、 意境的升华:花鸟画的生命哲思 花鸟画,在中国艺术体系中,往往被赋予了更深沉的哲学内涵,它们是艺术家对生命、自然、宇宙的理解与感悟。 生生不息的活力: 徐熙、黄筌的“野逸”与“富贵”两种风格,奠定了花鸟画的基调。本书将分析,为何一幅描绘花卉、禽鸟的画作,能够引发观者对生命循环、自然规律的思考。无论是宋代林椿细腻逼真的写实风格,还是元代赵孟頫笔下潇洒写意的水墨花鸟,都蕴含着艺术家对生命的热爱与赞美。 寓意与象征: 中国花鸟画中,许多动植物都承载着特殊的寓意。例如,松、竹、梅象征着高洁的品格,兰、菊则代表着隐逸的君子风范。《气势撼人》将深入解读这些象征意义,揭示画家如何通过对特定物象的描绘,寄托自己的情感、志向,甚至对政治、社会的隐晦批判。 写意与写实: 在花鸟画的发展过程中,写意与写实两种手法并存,并不断融合。《气势撼人》将对比分析水墨写意派的挥洒自如,如八大山人的孤寂与疏狂,以及工笔写实派的精雕细琢,如宋徽宗的《芙蓉锦鸡图》的富丽堂皇。这两种不同的表现方式,都以其独特的艺术语言,展现了花鸟画的生命力。 天地自然的哲学: 花鸟画,看似描绘微观世界,实则暗含着宏大的宇宙观。艺术家通过对自然界细致入微的观察,体悟着“天人合一”的哲学思想。本书将探讨,为何一株孤傲的梅花,或一只闲适的飞鸟,能够引起观者如此深邃的共鸣,这背后是对生命无常、自然伟大的敬畏。 《气势撼人》并非是一次简单的视觉盛宴,它是一场思想的洗礼,一次心灵的对话。通过对中国古代绘画中宏大叙事的深入解读,本书旨在唤醒读者内心深处对壮阔、深邃、永恒之美的感知。它将带领我们跨越时空的界限,与古人进行一场跨越千年的对话,感受那股由笔墨、色彩、意境汇聚而成的,永不磨灭的“气势”,以及它所承载的,中华民族深厚的文化底蕴与精神追求。 本书适合所有对中国古代艺术感兴趣的读者,无论您是初次接触,还是已有所涉猎,都能从中获得深刻的启发与感悟。它将帮助您重新认识中国绘画的博大精深,感受那些“气势撼人”的杰作所蕴含的,超越时代的震撼力量。

用户评价

评分

The title, "气势撼人," immediately struck a chord with me. It evokes a powerful sense of awe and grandeur, suggesting art that possesses an almost overwhelming presence. My curiosity was further ignited by the names of the authors, 高居翰 and 李佩桦, both highly respected figures in the field of art history. Their collaboration promised a deep and insightful exploration of this compelling concept. The publisher, "生活.读书.新知三联书店," further solidified my expectation of a scholarly and well-researched work. I have always been drawn to art that possesses a certain dynamism and impact, works that transcend mere visual appeal and engage the viewer on an emotional and intellectual level. The idea of "气势" itself is something I've long admired in art – that intangible quality that makes a piece feel alive and commanding. I'm eager to learn how the authors dissect and explain this phenomenon. Is it a matter of scale, composition, the artist's technique, or perhaps a combination of these elements? I imagine the book will delve into specific examples, offering detailed analyses of how artists have achieved such a profound effect. The inclusion of "生活.读书.新知" suggests that this exploration will be broad in scope, connecting the study of art to wider aspects of human culture and understanding, making it a truly enriching and enlightening read.

评分

There's a peculiar satisfaction that comes from holding a book that feels substantial, both in its physical weight and its intellectual promise. 《气势撼人》, with its elegant title, immediately conveyed that sense of gravitas. My initial impression, even before diving into the actual content, is one of immense respect for the subject matter and the scholars who have dedicated themselves to its exploration. The names "高居翰" and "李佩桦" resonate with a certain authority in the field of art history, and the backing of "生活.读书.新知三联书店" assures me of a certain scholarly rigor and intellectual depth. I'm not looking for superficial glosses or fleeting trends; I seek understanding, a deeper connection to the works that have shaped human culture and expression. The phrase "气势撼人" itself is a powerful descriptor. It suggests art that doesn't just please the eye but commands the spirit, that transcends mere aesthetic appreciation to evoke a profound emotional and intellectual response. I’m particularly interested in how they define and illustrate this concept. Is it about the grandeur of scale, the dynamism of composition, the emotive power of color, or perhaps the inherent spiritual energy of the artist? The possibilities are vast, and I’m eager to see how the authors weave these threads together. The promise of "生活.读书.新知" hints at a broader context, suggesting that the study of art is not an isolated pursuit but one deeply intertwined with our understanding of the human condition and the world around us. This book, I suspect, will offer not just insights into specific artworks, but a more profound way of engaging with art and, by extension, with life itself.

评分

The title alone, 《气势撼人》, was enough to pique my interest. It promises a journey into the realm of art that possesses a formidable presence, art that commands attention and stirs the soul. When I saw the names of the authors, 高居翰 and 李佩桦, my anticipation only grew. Their established expertise in art history suggested that this book would be a scholarly and insightful exploration of its subject. The publisher, "生活.读书.新知三联书店," further solidified my confidence in the book's quality and intellectual depth. I have always been drawn to art that has a strong voice, art that doesn't shy away from making a statement and engaging the viewer on a deeper level. I find myself less captivated by purely ornamental pieces and more by those that possess a certain power, a palpable energy that resonates long after the initial viewing. The concept of "气势" as described in the title is particularly compelling. I'm eager to understand how this intangible quality is achieved and conveyed. Is it through the sheer scale of the artwork, the dramatic composition, the expressive brushwork, or the artist's unique vision? I envision this book offering detailed analyses of specific artworks, dissecting the elements that contribute to their overwhelming impact. The inclusion of "生活.读书.新知" indicates that the book will likely go beyond mere formal analysis, connecting the study of art to broader aspects of human experience and understanding, making it a truly enriching and enlightening read.

评分

There's a certain allure to a title like "气势撼人." It promises an encounter with art that possesses a raw, untamed power, something that can truly shake one's perceptions. My initial reaction upon seeing this book was a surge of curiosity, particularly when I noticed the esteemed names of 高居翰 and 李佩桦 attached to it. Their reputations as insightful scholars of art history precede them, and I was confident that their collaboration would yield a work of significant substance. The publisher, "生活.读书.新知三联书店," further solidified this impression, as they are known for their commitment to disseminating knowledge that is both profound and accessible. I've always been drawn to art that leaves a lasting impression, that continues to resonate in one's mind long after the initial viewing. I'm not particularly interested in art that is merely pretty or decorative; I seek works that possess a certain gravitas, a depth that invites contemplation and intellectual engagement. The concept of "气势" itself is something I've pondered before, and I'm eager to see how the authors unpack and illustrate it. Is it a matter of scale, of composition, of the artist's intent, or a combination of these factors? I anticipate that this book will provide a detailed and nuanced exploration, guiding readers through specific examples of artworks that embody this powerful characteristic. The promise of integrating "生活.读书.新知" suggests that the discussion will extend beyond purely formal analysis, connecting the art to broader aspects of human experience, culture, and understanding.

评分

There's a certain magnetic pull to a title like "气势撼人." It conjures images of art that isn't just seen, but felt, art that possesses an undeniable power to captivate and move the viewer. My initial reaction upon encountering this book was one of immense curiosity, amplified by the presence of esteemed scholars 高居翰 and 李佩桦. Their reputations as insightful art historians suggest a deep and nuanced exploration of the subject matter. The backing of "生活.读书.新知三联书店" further assures me that this will be a publication of intellectual merit. My personal taste in art leans towards works that possess a certain gravitas, a profound presence that lingers in the mind. I find myself less drawn to the merely decorative and more to pieces that challenge, provoke, and inspire through their sheer force and expressive depth. The concept of "气势" itself is what I find most fascinating. How does an artist imbue their work with such a palpable energy? Is it through the masterful handling of scale, the dynamic arrangement of forms, the intensity of color, or perhaps the spiritual intensity of the artist's vision? I anticipate that this book will offer a rich exploration of these questions, using specific artworks as case studies to illustrate how this powerful effect is achieved. The promise of connecting art to "生活.读书.新知" suggests a holistic approach, one that situates these masterpieces within their broader cultural, historical, and philosophical contexts, offering a more comprehensive understanding of their enduring significance.

评分

The very title, "气势撼人," conjured in my mind images of monumental landscapes, bold calligraphic strokes, and powerful sculptures that seem to possess an almost living presence. When I saw the names of the authors, 高居翰 and 李佩桦, my curiosity was further piqued. These are names that carry weight in the world of art history, and their collaboration suggests a scholarly endeavor of significant merit. The publisher, "生活.读书.新知三联书店," further reinforces this impression, indicating a commitment to thoughtful inquiry and intellectual dissemination. I’m not an art historian by profession, but I possess a deep and abiding passion for art that speaks volumes, that transcends the visual and touches something deeper within us. I’m fascinated by the concept of "气势" – that intangible yet undeniably powerful aura that certain artworks possess. How does an artist achieve such a feat? Is it through meticulous technique, a profound understanding of their medium, or a unique ability to channel raw emotion and energy onto the canvas or into the stone? I envision this book as a guide, leading me through a curated selection of masterpieces, each one meticulously analyzed to reveal the secrets behind its overwhelming impact. I anticipate detailed discussions of composition, brushwork, thematic development, and perhaps even the historical and cultural contexts that contributed to the creation and reception of these works. The promise of bridging "生活.读书.新知" suggests that this exploration of art will also offer broader insights into human experience and understanding, making it a truly enriching read.

评分

When the title 《气势撼人》 first caught my eye, I was immediately struck by its evocative power. It suggests a collection of artworks that don’t just passively exist but actively engage, even overwhelm, the viewer with their sheer presence. The inclusion of names like 高居翰 and 李佩桦, renowned figures in art scholarship, further cemented my decision to pick up this book. Knowing their expertise, I anticipated a deeply insightful and meticulously researched exploration of the subject. The publisher, "生活.读书.新知三联书店," adds another layer of assurance, signifying a commitment to intellectual rigor and the dissemination of valuable knowledge. My personal interest lies in art that possesses a certain dynamism, a palpable energy that resonates long after the initial viewing. I’m not drawn to purely decorative pieces, but rather to works that challenge, provoke, and inspire. The concept of "气势" itself is particularly fascinating to me. It implies a force, a spirit, a grandeur that can imbue a work of art with an almost magnetic pull. I’m eager to understand how this "气势" is achieved. Is it through the artist's mastery of technique, their unique vision, or a profound connection to the subject matter? I imagine the book will delve into the visual elements – the bold brushstrokes, the commanding compositions, the deliberate use of color and form – that contribute to this powerful effect. Moreover, the "生活.读书.新知" aspect suggests that the book will not confine itself to purely aesthetic analysis but will also explore the broader cultural and philosophical underpinnings of these artworks, offering a richer and more holistic understanding.

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刚拿到《气势撼人》这本书,翻开扉页,高居翰和李佩桦的名字映入眼帘, immediately, I felt a sense of anticipation. The very title, "气势撼人," evokes a powerful image, hinting at works of art that possess an overwhelming presence, capable of stirring deep emotions and intellectual engagement. I've always been drawn to art that doesn't just sit there, passively observing, but actively communicates, demanding our attention and challenging our perspectives. This book, with its title alone, promises such an experience. I'm particularly curious about how the authors will dissect and illuminate the concept of "气势" – this intangible yet palpable force that can imbue a painting, a sculpture, or even a piece of calligraphy with such profound impact. Is it a matter of scale? Of composition? Of the artist's intention, or perhaps a collective cultural understanding? The prospect of delving into these questions through the lens of Chinese art history, as suggested by the authors' names and the publisher, is incredibly exciting. I imagine myself poring over the pages, each artwork discussed becoming a portal to another time, another way of seeing the world. The promise of "生活.读书.新知" from the publisher further solidifies my belief that this won't be a dry academic treatise, but a journey of discovery that enriches my understanding of both art and life itself. I can already picture myself lost in the vivid descriptions, perhaps tracing the brushstrokes in my mind's eye, feeling the weight of history and the brilliance of artistic genius. The anticipation is palpable, and I’m eager to embark on this intellectual and aesthetic adventure.

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From the moment I saw the title, "气势撼人," I felt a palpable sense of excitement. It immediately conjures images of art that transcends mere aesthetics, art that possesses a raw, undeniable power capable of deeply affecting the viewer. The names of the authors, 高居翰 and 李佩桦, are highly respected in the field of art history, and their collaboration suggested a scholarly endeavor of immense depth and insight. The publisher, "生活.读书.新知三联书店," further reinforced my expectation of a well-researched and thought-provoking read. My personal appreciation for art leans towards works that possess a certain gravitas and intellectual weight, pieces that invite contemplation and offer a rich tapestry of meaning. I am not drawn to art that is merely decorative or superficially pleasing; I seek art that challenges my perceptions and stimulates my mind. The concept of "气势" itself is particularly intriguing, and I'm eager to explore how the authors define and illustrate this powerful attribute. Is it about the scale of the work, the dynamic interplay of its elements, the artist's emotional expression, or a combination of these factors? I anticipate that this book will delve into specific examples, meticulously analyzing the techniques and artistic choices that contribute to this overwhelming impact. Furthermore, the promise of connecting art to "生活.读书.新知" suggests a broader exploration, one that situates these artworks within their cultural and historical contexts, offering a more holistic understanding of their significance and enduring appeal.

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The title itself, 《气势撼人》, spoke volumes to me even before I read a single word of the book. It conjures an immediate sense of awe and power, suggesting art that doesn't just sit passively but commands attention and stirs the soul. My immediate thought upon seeing this title was to explore what "气势" truly means in the context of art, and to see how masters like 高居翰 and 李佩桦 would illuminate this complex concept. Their names, already associated with deep scholarship in art history, made me highly anticipate the intellectual rigor and insightful analysis I would find within. The publisher, "生活.读书.新知三联书店," further reassured me of the book's quality, as they are known for promoting significant intellectual works. I have a personal affinity for art that possesses a certain undeniable presence, art that feels alive and communicates with a profound depth. I'm not interested in superficial beauty; I crave art that challenges, inspires, and leaves a lasting impression, art that makes one feel something significant. The idea of "气势" perfectly encapsulates this desire. I envision the book delving into the elements that contribute to such a powerful effect – perhaps the grandeur of scale, the dynamism of composition, the expressive power of line and color, or even the spiritual resonance embedded within the work. The inclusion of "生活.读书.新知" hints that this will be more than just an art historical study; it will likely offer broader reflections on human experience and understanding, enriching not only my knowledge of art but also my perception of the world.

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