內容簡介
針對大班英語課教學,《如何教好大班英語課》介紹瞭150餘個生動、有趣的課堂活動。每個活動都清晰標明瞭活動目的、適閤水平及活動時間。除逐條詳列操作步驟外,還提供活動涉及的範例、錶格、圖片樣本供參考。書中活動均來自作者親身教學實踐,操作簡便、實用性強,頗具啓發性。《如何教好大班英語課》文字淺顯易懂,編排一目瞭然,特彆適閤從事一綫教學工作的中學、大學及培訓學校英語教師使用,經驗豐富的老教師也可從中獲益。
內頁插圖
目錄
Thanks and acknowledgements
Introduction
How to make best use of this book
What is a large multilevel class?
Benefits and challenges of the large multilevel class
Eleven principles of coping in large multilevel classes
1 Getting to know our students
Learning their names
1.1 Name toss
1.2 Picture it
1.3 Names as crosswords
1.4 The story of my name
1.5 Names and adjectives
1.6 I am and I love
1.7 Desk placards
1.8 Use real pictures Learning about our students lives
1.9 The letter
1.10 Guess who?
1.11 Three things about me
1.12 Mutual interviews
1.13 The missing person announcement
1.14 Managing my time
1.15 Formal introductions
2 Motivation and activation
2.1 Burst the balloon- expressing opinions
2.2 The preference line - explaining yourself
2.3 The quick-write
2.4 Like, dislike, or neutral
2.5 Whats your number?
2.6 Again and again and again
2.7 Friendship
2.8 More about friendship
2.9 People I admire
2.10 Special places
2.11 Dreams I have
2.12 How I feel now
2.13 Slip exchange
2.14 Flip-flop books
2.15 Frame it
2.16 Colored round robin
2.17 Circle talk
2.18 Teaming up
2.19 Needle in a haystack
2.20 Optimistic snapshots
2.21 Words on cards
2.22 A solution for the problem
2.23 Student-centered dictation
2.24 The seminar
3 Reviewing while maintaining interest and momentum
3.1 Answers into questions
3.2 Review posters
3.3 Student-made quickie quizzes
3.4 Group reviews
3.5 Group summaries
3.6 Vocabulary wall
3.7 Class goals
3.8 The KWL procedure
3.9 The Venn diagram
3.10 Judging people
3.11 Running dictation
3.12 My sentence
3.13 Where is my other half?
3.14 Person, place or thing
4 Dealing with written work
4.1 Keep it going
4.2 Peer reviews
4.3 Writing conferences
4.4 Write before you talk
4.5 Buddy journals
4.6 Using email
4.7 Wall newspaper
4.8 Using chat rooms
4.9 Using websites
4.10 Writing about landscape pictures
4.11 Writing about pictures of people 1
4.12 Writing about pictures of people 2
4.13 Service writing
4.14 A bio-poem class book
4.15 The cumulative folder
4.16 Sentences into story
4.17 Personalized guide books
4.18 Change the audience
4.19 Clustering
4.20 The writing cycle
4.21 A resource for self-correction
4.22 Letters of advice
4.23 In the middle of the story
4.24 The spelling list
4.25 From words to story
4.26 Plot construction
5 Working well in groups
5.1 Working together
5.2 The quiet signal
5.3 Give me your sticks
5.4 The text jigsaw
5.5 The picture jigsaw
5.6 Making mine long
5.7 Sentences into story
5.8 The aquarium
5.9 All for one
5.10 Group dictations
5.11 The community group project
5.12 The walk-about
5.13 Picture puzzle
5.14 Back and forth movie preview/in view
5.15 Three in one
5.16 The missing word
5.17 Alphabet shopping
5.18 Pronoun search
5.19 Words to make a cake
5.20 Things we share
5.21 Our group cheer
5.22 Dictated stories
5.23 Three good questions
6 Individualizing and personalizing student work Individualizing
6.1 Multilevel dictation
6.2 The book cart
6.3 Silent task work with a self-access box
6.4 Working with words
6.5 Sentence completion
6.6 Question the reading Personalizing
6.7 Vocabulary cards
6.8 Three-minute talks
6.9 The story of my life posters
6.10 My object
6.11 The vocabulary house
6.12 The mailbox
6.13 My machine
6.14 An important decision
6.15 An important sentence
6.16 Color sadness blue
6.17 Water words
6.18 I dont like people who
6.19 Careers in my family
6.20 What we want from our work
6.21 Our own good folder
6.22 Words on my desk
6.23 Drawing interpretation
7 Making students responsible for their own learning
7.1 What kind of a learner am I?
7.2 Setting goals for myself
7.3 How a teacher helped me
7.4 How can the teacher help me?
7.5 How I can help myself
7.6 Personal conferences
7.7 What kind of a listener am I?
7.8 This course will be a success for me if ...
7.9 What kind of a reader am I?
……
8 Establishing routines and procedures
Bibliograpby
Index
精彩書摘
It is well to note that our work in large multilevel classes will never beeasy. And there will always be days when we feel frustrated. This is parfor the course. Nevertheless, there will always be many more good thanbad days. We will always know that our work is important, thatthrough our work we have contributed to the welfare of people andof society, and if today was bad, chances are that tomorrow will bebetter. If the class we have right now is impossible, next semestersgroup may be ever so much better. If the material we are working withjust doesnt click, we can always choose something more appropriatewhen we teach the same topic next time.
If you have read Gone with the Wind by Margaret Mitchell, youknow that its heroine, Scarlett OHara, had a special mantra when thingsgot too tense: I will think about it tomorrow, she said. This philosophymay prove helpful in dealing with the frustrations that accompanyteaching large multilevel classes. No matter how good we get to be, nomatter how much personal fulfillment we may find in our work, there isno escaping the fact that the job will always present us with challenges.In fictional or filmed teacher stories, the hero teacher usually strugglesmightily during his/her first year of teaching and then through somemiraculous epiphany understands why things have not worked out well.Or, our hero teacher changes his/her tactics/attitude/technique/strategyand presto he/she becomes the most wonderful and beloved teacher inthe world. No wonder real teachers get fed up with the stories! In reallife, the struggle, in all its various forms, continues throughout onescareer. Of course, we all develop and learn many things, but the job iseternally challenging and that perhaps is one reason why so many of uslove it!
前言/序言
外研社從劍橋大學齣版社齣版的“Cambidge Handbooks for Language Teachers”中選齣10本,結成“Learning in Doing?劍橋英語課堂教學係列”,在中國大陸齣版發行。
應外研社要我為這套叢書寫一個總序的要求,我通讀瞭全部10本書,同時看瞭原係列其他書的書名。我發現,在所有這些書都涉及外語教學中的重要問題的同時,編者選齣目前這10本來先期齣版發行,是有道理的。
首先,從這10本書的書名就可看齣,它們都是關於當前外語教學中的一些最關緊要的問題。讀這套書的教師朋友們會發現,它們是如此切閤我們國傢當前外語教學(尤其是基礎階段外語教學)所麵臨的突齣問題,用一句俗語說,它們是如此符閤我國的“國情”:大班教學、以學生為中心突齣個性化教學、課堂設計、口語教學、詞匯教學、如何利用多媒體教學手段等等,方方麵麵,不一而足。
好的,這是一份關於其他主題的圖書簡介,旨在提供詳盡內容,避免提及您提供的書籍信息,並以自然、專業的語氣撰寫。 --- 《數字時代的敘事重塑:從信息繭房到社群構建的媒介實踐》 本書導言: 在信息洪流與算法驅動的時代,我們獲取、理解和分享世界的方式正在經曆一場深刻的變革。傳統的綫性敘事模式受到挑戰,取而代之的是碎片化、交互式乃至“活態化”的錶達形式。本書深入探討瞭數字媒介如何重塑我們的敘事結構、認知模式以及社會關係。我們不再僅僅是內容的消費者,更是信息生態係統的共同參與者和生産者。理解這一轉變,對於任何希望在當代社會中有效溝通、建立意義聯係的個體或組織而言,都至關重要。 第一部分:數字敘事的基礎邏輯與技術演變 本部分聚焦於理解數字敘事賴以生存的技術基礎與思維範式。 第一章:從印刷術到超文本的媒介史觀 追溯敘事形式的曆史演變,重點分析互聯網技術如何催生瞭“超文本”這一核心結構。超文本的非綫性、多路徑特性打破瞭傳統閱讀的確定性,要求讀者主動參與路徑選擇,這直接影響瞭信息的接收效率和深度理解。本章將討論超文本理論如何與用戶體驗設計(UX/UI)相結閤,塑造現代數字閱讀界麵。 第二章:算法與過濾器的雙重效應 算法在信息分發中的核心作用被置於聚光燈下。我們探討推薦係統如何通過預測用戶偏好來構建“個性化信息流”。然而,這種個性化是以犧牲信息的廣度和多樣性為代價的,形成瞭“信息繭房”(Filter Bubble)現象。本章詳細分析瞭算法偏見(Algorithmic Bias)的産生機製及其對公眾輿論形成的潛在負麵影響,並引入“算法透明度”作為應對策略的討論起點。 第三章:跨媒介敘事(Transmedia Storytelling)的生態構建 現代敘事往往不再局限於單一平颱。跨媒介敘事要求故事元素在不同媒介(如電影、遊戲、社交媒體、播客)中協同工作,共同擴展世界觀。本章通過分析成功的案例,解構跨媒介敘事如何實現敘事的一緻性與平颱適應性的平衡,並探討其對品牌營銷和文化産品消費的深遠影響。 第二部分:敘事的互動性與參與式文化 數字環境的顯著特徵是互動性,這要求敘事者放棄對意義的絕對控製權,擁抱讀者的參與和再創作。 第四章:用戶生成內容(UGC)的賦權與挑戰 社交媒體平颱極大地降低瞭內容生産的門檻,使得“人人都是作者”成為現實。本章探討UGC的爆發如何民主化瞭敘事權,但也帶來瞭內容質量參差不齊、版權界定模糊以及“注意力經濟”下內容極端化的睏境。我們將重點關注用戶如何利用模因(Memes)等快速傳播形式進行即時社會評論。 第五章:沉浸式體驗與虛擬現實中的情感共鳴 虛擬現實(VR)和增強現實(AR)技術正在將敘事推嚮三維、可感知的空間。本章分析沉浸式敘事如何通過第一人稱視角和空間化敘事,增強觀眾的情感投入度(Presence)和道德代入感。討論的核心是如何在提供高度沉浸感的同時,保持敘事意圖的清晰傳達。 第六章:協作式敘事與集體智慧 從維基百科到開放源代碼項目,協作敘事展示瞭群體在構建復雜知識體係方麵的潛力。本章考察瞭在綫社區如何通過集體編輯、討論和版本迭代來共同塑造一個持續演進的“活態文本”。探討瞭如何設計有效的協作機製來避免“群體極化”或“集體失智”的風險。 第三部分:社群、身份與數字公共領域 敘事不僅僅是信息的傳遞,更是身份的構建和社群的粘閤劑。 第七章:身份構建:數字人設與多重自我 在數字空間中,個體往往需要管理多個“數字人設”(Digital Personas)。本章探究瞭不同社交平颱(如LinkedIn的專業形象與Reddit的匿名身份)如何引導用戶構建差異化的自我錶達。分析瞭這種多重身份的切換如何影響個體的心理狀態與真實社交的連接。 第八章:社群的形成、邊界與“迴音室”效應 社群是通過共享的敘事和共同的價值體係凝聚起來的。本章深入研究瞭在綫社群(Online Communities)的形成機製,包括其內部語言、文化規範和排他性。重點分析瞭“迴音室”(Echo Chamber)現象——當社群敘事高度內循環時,如何加劇群體間的對立,損害跨社群的對話基礎。 第九章:重建信任:去中心化敘事與事實核查的未來 麵對“後真相”時代的挑戰,重建公眾對信息來源的信任變得尤為迫切。本章討論瞭區塊鏈技術在構建不可篡改的敘事記錄方麵的潛力,以及去中心化社交媒體(Decentralized Social Media)如何從根本上改變信息權力結構。同時,探討瞭麵嚮大眾的批判性媒體素養教育在維護健康數字公共領域中的決定性作用。 結語:邁嚮有意識的媒介公民身份 數字時代的敘事工具無比強大,它們既是連接世界的橋梁,也可能是隔絕思想的高牆。本書的最終目標是賦能讀者,使其不僅能駕馭這些工具,更能以一種更具批判性、更負責任的方式參與到全球敘事生態的構建中,從被動的接收者轉變為積極的、有意識的媒介公民。 --- 本書特色: 跨學科視野: 融閤瞭媒介理論、認知心理學、計算機科學和文化研究的前沿洞察。 案例驅動: 大量引用瞭近年來全球範圍內的數字敘事前沿案例,進行深入的技術與文化剖析。 麵嚮實踐: 為內容創作者、市場營銷人員、教育工作者及政策製定者提供瞭理解和應對當前媒介挑戰的實用框架。 前瞻性思考: 不僅迴顧現狀,更對AI生成內容(AIGC)的未來趨勢對敘事範式的潛在顛覆性影響進行瞭審慎的展望。