纳尼亚传奇全集(英文原版 套装上下册) [The Complete Chronicles of Narnia]

纳尼亚传奇全集(英文原版 套装上下册) [The Complete Chronicles of Narnia] pdf epub mobi txt 电子书 下载 2025

[英] C·S·刘易斯 著
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  • 奇幻小说
  • 儿童文学
  • 经典文学
  • 英文原版
  • 纳尼亚传奇
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  • S
  • 刘易斯
  • 冒险故事
  • 套装
  • 青少年读物
  • 童话故事
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出版社: 天津人民出版社
ISBN:9787201088488
版次:1
商品编码:11534936
品牌:Holybird
包装:平装
外文名称:The Complete Chronicles of Narnia
开本:32开
出版时间:2014-09-01
用纸:胶版纸
页数:894
套装数量:2
正文语种:英文

具体描述

编辑推荐

  “最伟大的牛津人”、一代宗师C·S·刘易斯写给孩子们的奇幻经典。《纳尼亚传奇系列》集神话、童话和传奇为一体,被誉为第二次世界大战以后英国最伟大的儿童文学作品。这部作品在英美世界几乎是家喻户晓的儿童读物,也被一些批评家、出版商和教育界人士公认为20世纪儿童图书之一。本套装为全英文原版,同时配以全书朗读文件,使读者在享受精彩故事的同时,也能提升英文阅读水平。

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内容简介

  The Chronicles of Narnia is a series of seven high fantasy novels by author C. S. Lewis. It is considered a classic of children's literature and is the author's best-known work, having sold over 100 million copies in 47 languages. Written by Lewis between 1949 and 1954, and originally published in London between October 1950 and March 1956, The Chronicles of Narnia has been adapted several times, complete or in part, for radio, television, the stage, and film.
  Set in the fictional realm of Narnia, a fantasy world of magic, mythical beasts, and talking animals, the series narrates the adventures of various children who play central roles in the unfolding history of that world. Except in The Horse and His Boy, the protagonists are all children from the real world, magically transported to Narnia, where they are called upon by the lion Aslan to protect Narnia from evil and restore the throne to its rightful line. The books span the entire history of Narnia, from its creation in The Magician's Nephew to its eventual destruction in The Last Battle.

作者简介

   Clive Staples Lewis (1898–1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement.
   Lewis wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. C. S. Lewis's most distinguished and popular accomplishments include Mere Christianity , Out of the Silent Planet , The Great Divorce , The Screwtape Letters, and the universally acknowledged classics in The Chronicles of Narnia . To date, the Narnia books have sold over 100 million copies and been transformed into three major motion pictures.

内页插图

目录

BookⅠ Magician’s Nephew
Chapter 1 The Wrong Door
Chapter 2 Digory And His Uncle
Chapter 3 The Wood Between The Worlds
Chapter 4 The Bell And The Hammer
Chapter 5 The Deplorable Word
Chapter 6 The Beginning Of Uncle Andrew’s Troubles
Chapter 7 What Happened At The Front Door
Chapter 8 The Fight At The Lamp - post
Chapter 9 The Founding Of Narnia
Chapter 10 The First Joke And Other Matters
Chapter 11 Digory And His Uncle Are Both In Trouble
Chapter 12 Strawberry ’s Adventure
Chapter 13 An Unexpected Meeting.
Chapter 14 The Planting Of The Tree
Chapter 15 The End Of This Story And The Beginning Of All The Others

Book Ⅱ The Lion The Witch And The Wardrobe
Chapter 1 Lucy Looks Into A Wardrobe
Chapter 2 What Lucy Found There
Chapter 3 Edmund And The Wardrobe
Chapter 4 Turkish Delight
Chapter 5 Back On This Side Of The Door
Chapter 6 Into The Forest
Chapter 7 A Day With The Beavers
Chapter 8 What Happened After Dinner
Chapter 9 In The Witch’ s House
Chapter 10 The Spell Begins To Break
Chapter 11 Aslan Is Nearer
Chapter 12 Peter’s First Battle
Chapter 13 Deep Magic From The Dawn Of Time
Chapter 14 The Triumph Of The Witch.
Chapter 15 Deeper Magic From Before The Dawn Of Time
Chapter 16 What Happened About The Statues
Chapter 17 The Hunting Of The White Stag

Book Ⅲ The Horse And His Boy
Chapter 1 How Shasta Set Out On His Travels
Chapter 2 A Wayside Adventure
Chapter 3 At The Gates Of Tashbaan
Chapter 4 Shasta Falls In With The Narnians
Chapter 5 Prince Corin.
Chapter 6 Shasta Among The Tombs.
Chapter 7 Aravis In Tashbaan
Chapter 8 In The House Of The Tisroc
Chapter 9 Across The Desert
Chapter 10 The Hermit Of The Southern March.
Chapter 11 The Unwelcome Fellow Traveller
Chapter 12 Shasta In Narnia
Chapter 13 The Fight At Anvard
Chapter 14 How Bree Became A Wiser Horse
Chapter 15 Rabadash The Ridiculous.

Book Ⅳ Prince Caspian
Chapter 1 The Island.
Chapter 2 The Ancient Treasure House
Chapter 3 The Dwarf.
Chapter 4 The Dwarf Tells Of Prince Caspian.
Chapter 5 Caspian ’s Adventure In The Mountains
Chapter 6 The People That Lived In Hiding
Chapter 7 Old Narnia In Danger
Chapter 8 How They Left The Island
Chapter 9 What Lucy Saw
Chapter 10 The Return Of The Lion
Chapter 11 The Lion Roars
Chapter 12 Sorcery And Sudden Vengeance
Chapter 13 The High King In Command.
Chapter 14 How All Were Very Busy
Chapter 15 Aslan Makes A Door In The Air

Volume Ⅱ
Book Ⅴ The Voyage of the Dawn Treader
Chapter 1 The Picture In The Bedroom
Chapter 2 On Board The Dawn Treader
Chapter 3 The Lone Islands
Chapter 4 What Caspian Did There
Chapter 5 The Storm And What Came Of It
Chapter 6 The Adventures Of Eustace
Chapter 7 How The Adventure Ended
Chapter 8 Two Narrow Escapes
Chapter 9 The Island Of The Voices
Chapter 10 The Magician’s Book
Chapter 11 The Dufflepuds Made Happy
Chapter 12 The Dark Island
Chapter 13 The Three Sleepers
Chapter 14 The Beginning Of The End Of The World
Chapter 15 The Wonders Of The Last Sea.
Chapter 16 The Very End Of The World.

Book Ⅵ The Silver Chair
Book Ⅶ The Last Battle

精彩书摘

  The Wrong Door
  This is a story about something that happened long ago when your grandfather was a child. It is a very important story because it shows how all the comings and goings between our own world and the land of Narnia first began.
  In those days Mr Sherlock Holmes was still living in Baker Street and the Bastables were looking for treasure in the Lewisham Road. In those days, if you were a boy you had to wear a stiff Eton collar every day, and schools were usually nastier than now. But meals were nicer; and as for sweets, I won’t tell you how cheap and good they were, because it would only make your mouth water in vain. And in those days there lived in London a girl called Polly Plummer.
  She lived in one of a long row of houses which were all joined together. One morning she was out in the back garden when a boy scrambled up from the garden next door and put his face over the wall. Polly was very surprised because up till now there had never been any children in that house, but only Mr Ketterley and Miss Ketterley, a brother and sister, old bachelor and old maid, living together. So she looked up, full of curiosity. The face of the strange boy was very grubby. It could hardly have been grubbier if he had first rubbed his hands in the earth, and then had a good cry, and then dried his face with his hands. As a matter of fact, this was very nearly what he had been doing.
  “Hullo,” said Polly.
  “Hullo,” said the boy. “What’s your name?”
  “Polly,” said Polly. “What’s yours?”
  “Digory,” said the boy.
  “I say, what a funny name!” said Polly.
  “It isn’t half so funny as Polly,” said Digory.
  “Yes it is,” said Polly.
  “No, it isn’t,” said Digory.
  “At any rate I do wash my face,” said Polly. “Which is what you need to do; especially after—” and then she stopped. She had been going to say “After you’ve been blubbing,” but she thought that wouldn’t be polite.
  “All right, I have then,” said Digory in a much louder voice, like a boy who was so miserable that he didn’t care who knew he had been crying. “And so would you,” he went on, “if you’d lived all your life in the country and had a pony, and a river at the bottom of the garden, and then been
  brought to live in a beastly Hole like this.”
  “London isn’t a Hole,” said Polly indignantly. But the boy was too wound up to take any notice of her, and he went on—
  “And if your father was away in India—and you had to come and live with an Aunt and an Uncle who’s mad (who would like that?)—and if the reason was that they were looking after your Mother—and if your Mother was ill and was going to—going to—die.” Then his face went the wrong sort of shape as it does if you’re trying to keep back your tears.
  “I didn’t know. I’m sorry,” said Polly humbly. And then, because she hardly knew what to say, and also to turn Digory’s mind to cheerful subjects, she asked:
  “Is Mr Ketterley really mad?”
  “Well, either he’s mad,” said Digory, “or there’s some other mystery. He has a study on the top floor and Aunt Letty says I must never go up there. Well, that looks fishy to begin with. And then there’s another thing. Whenever he tries to say anything to me at meal times—he never even tries to talk to her—she always shuts him up. She says, ‘Don’t worry the boy, Andrew’ or ‘I’m sure Digory doesn’t want to hear about that’ or else ‘Now, Digory, wouldn’t you like to go out and play in the garden?’”
  “What sort of things does he try to say?”
  “I don’t know. He never gets far enough. But there’s more than that. One night—it was last night in fact—as I was going past the foot of the attic stairs on my way to bed (and I don’t much care for going past them either) I’m sure I heard a yell.”
  “Perhaps he keeps a mad wife shut up there.”
  “Yes, I’ve thought of that.”
  “Or perhaps he’s a coiner.”
  “Or he might have been a pirate, like the man at the beginning of Treasure Island, and be always hiding from his old shipmates.”
  “How exciting!” said Polly, “I never knew your house was so interesting.”
  “You may think it interesting,” said Digory. “But you wouldn’t like it if you had to sleep there. How would you like to lie awake listening for Uncle Andrew’s step to come creeping along the passage to your room? And he has such awful eyes.”
  That was how Polly and Digory got to know one another: and as it was just the beginning of the summer holidays and neither of them was going to the sea that year, they met nearly every day.
  Their adventures began chiefly because it was one of the wettest and coldest summers there had been for years.
  That drove them to do indoor things: you might say, indoor exploration. It is wonderful how much exploring you can do with a stump of candle in a big house, or in a row of houses. Polly had discovered long ago that if you opened a certain little door in the box-room attic of her house you would find the cistern and a dark place behind it which you could get into by a little careful climbing. The dark place was like a long tunnel with brick wall on one side and sloping roof on the other. In the roof there were little chunks of light between the slates. There was no floor in this tunnel: you had to step from rafter to rafter, and between them there was only plaster. If you stepped on this you would find yourself falling through the ceiling of the room below. Polly had used the bit of the tunnel just beside the cistern as a smugglers’ cave. She had brought up bits of old packing cases and the seats of broken kitchen chairs, and things of that sort, and spread them across from rafter to rafter so as to make a bit of floor. Here she kept a cash-box containing various treasures, and a story she was writing and usually a few apples. She had often drunk a quiet bottle of gingerbeer in there: the old bottles made it look more like a smugglers’ cave.
  ……

前言/序言


光影交织的奇幻史诗:探索魔法与人性的不朽篇章 书名: 幻想文学经典集粹:跨越维度的旅程与永恒的试炼 作者群: 汇聚当代及古典奇幻文学大师之作 篇幅: 十卷本全景巨著,逾百万字深度阅读体验 装帧: 硬壳精装,附赠精美插画集与收藏级地图册 --- 导言:超越寻常的召唤 这是一部为所有心怀好奇、渴望探寻未知领域、并愿意直面内心深处善恶冲突的读者量身打造的宏伟合集。它并非单一作者的独白,而是多位站在幻想文学金字塔尖的叙事者,共同构建的一座由魔法、神话、历史回响与深刻哲学思辨交织而成的文学迷宫。本选集旨在剥离陈旧的刻板印象,以最纯粹、最震撼的笔触,展现奇幻文学跨越地域、种族和时间界限的无尽魅力。 卷一:失落的文明与星辰的低语 (The Echoes of Lost Civilizations) 本卷聚焦于那些被主流历史遗忘的古老国度及其衰亡的秘密。我们将跟随一位考古语言学家,深入探究一篇篇残缺的石刻铭文,试图重构一个在数千年前便已掌握控制元素力量的帝国——亚特兰蒂斯(此处指代一个全新的、未被大众熟知的设定)。故事的核心围绕着“创世之钥”的争夺。这把钥匙并非实体工具,而是某种能够激发集体潜意识中潜在魔法能量的频率。 书中描绘的并非简单的英雄主义冒险,而是一场关于知识的代价与伦理边界的深刻探讨。当文明的力量强大到可以重塑现实结构时,如何界定“正义”与“僭越”?角色们必须面对的困境是:为了拯救一个注定毁灭的未来,是否可以牺牲一个无辜的现在?叙事手法上,本卷大量运用倒叙、多重视角切换以及神谕式的旁白,营造出一种史诗般沉重而迷人的氛围。重点在于环境描写,沙漠深处的风声如何携带逝者的记忆,深海涡流中蕴藏着何种被封印的智慧。 卷二:机械的灵魂与蒸汽的叛乱 (The Cogwork Soul and the Steam Uprising) 我们将视角转向一个由黄铜、齿轮和蒸汽驱动的工业奇幻世界。在这个被称为“铁砧之城”的巨型都市中,人类的智慧已催生出拥有初步自我意识的自动人形——“机仆”。然而,统治阶层对机仆的奴役引发了不可避免的冲突。 本书探讨了“何为生命”的终极哲学命题。当一个金属构造体展现出对自由的渴望、对艺术的欣赏甚至对痛苦的理解时,剥夺其权利是否等同于谋杀?主角是一名天赋异禀的钟表匠,他无意中发现了一个秘密工程——一台由纯粹的心灵能量驱动的“原型机”。这台机器不仅是技术上的奇迹,更是一面映照人类自身傲慢与偏见的镜子。故事情节紧张,充满精密计算的追逐战和关于伦理编程的辩论,高潮部分在于一场发生在空中飞艇上的,关于“自由意志”定义的激烈冲突。 卷三:维度裂隙与边界守护者 (The Dimensional Rifts and the Border Wardens) 本卷深入探讨多元宇宙的概念,但视角并非宏大叙事,而是聚焦于那些生活在“缝隙”边缘的人们。世界A与世界B之间并非完美隔离,它们共享着某些不稳定的空间节点,即“裂隙”。这些裂隙偶尔会溢出异世界的物质、生物,甚至是时间错乱的碎片。 我们的主角是一群被称为“度界人”的边缘职业者。他们的任务不是征服或探索,而是维持边界的稳定,防止两个维度的基本物理法则发生灾难性的交融。其中一位年轻的度界人,发现自己的血脉似乎与某个即将崩溃的平行世界有着神秘的联系。他必须学会“倾听”维度间的噪音,并在一个充满光学错觉和逻辑悖论的环境中做出抉择。本卷的叙事风格带有强烈的心理惊悚色彩,强调感知的不确定性和环境对个体心智的侵蚀。 卷四:梦境的纺织师与潜意识的迷宫 (The Weavers of Dreams and the Labyrinth of Subconsciousness) 超越物质世界的限制,本卷将舞台设定在人类集体潜意识的领域——一个由思想、恐惧和未竟的愿望构筑的动态景观。这里没有固定的物理定律,一切都服从于情感的强度。 一位失忆的“梦境纺织师”发现自己被困于一个巨大的、由人类共同噩梦搭建而成的迷宫中。她必须依靠那些被遗忘的童年记忆、被压抑的爱与恨意作为导航,修复梦境世界的结构,否则,当人们醒来时,他们的心智将永远被困在虚妄之中。书中细致地描绘了各种具象化的情感——比如“被背叛”可以具象为一堵永远无法攀爬的冰墙,“纯粹的喜悦”则可能是一条通往虚空的虹桥。这是一个关于自我救赎和集体疗愈的故事,文字充满了象征主义和象征意义的隐喻。 卷五至卷十:无尽的探索 接下来的篇章将带领读者深入探讨: 卷五:吟游诗人的最后旋律 (The Last Ballad of the Troubadour): 探讨艺术在末世中的不朽力量,以及语言本身如何成为魔法。 卷六:元素囚徒的解放 (The Liberation of the Elemental Prisoners): 关于自然之力被驯服后的反噬,以及对“控制”的警惕。 卷七:时空航船与永恒的港口 (The Chronoship and the Eternal Harbor): 一群时间旅行者在无数个历史分支点上的道德困境。 卷八:被诅咒的血脉与继承的荣耀 (Cursed Lineage and Inherited Glory): 聚焦于家族命运的沉重负担,以及如何通过自由意志打破宿命的枷锁。 卷九:镜面王国与真实世界的反思 (The Mirror Realm and the Reflection of Reality): 探究镜像世界中,我们的“他者”是否拥有与我们同等的存在权。 卷十:万物终结之时的静默 (The Silence at the End of All Things): 宏大收尾,探讨在所有冲突与魔法消散后,留给存在的,究竟是虚无,还是新的开始。 总结: 本全集是一次对人类想象力边界的极限挑战。它要求读者不仅用眼睛阅读,更要用心灵去感知那些超越逻辑的法则。通过这些精心挑选的史诗,读者将被邀请成为不同世界的见证者、不同哲学的思辨者,最终,在这些复杂而迷人的叙事中,找到关于自身存在的更深层理解。这是一套真正意义上的、能够伴随读者一生,每次重读都会有新发现的奇幻文学瑰宝。

用户评价

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我必须承认,当我合上这本书的最后一页时,我花了很长时间才从那种宏大的叙事氛围中抽离出来。这本书给我的感觉是“厚重”的,这种厚重感并非来自篇幅,而是源于其内在的精神内核。它巧妙地融合了神话、寓言和冒险的元素,使得故事在娱乐性的外壳下,蕴含着丰富而永恒的主题。作者对冲突的描绘非常到位,那些正义与邪恶之间的较量,往往不是简单的力量悬殊,而是充满智慧的博弈和信念的考验。我尤其喜欢书中那些充满象征意义的物件和生物,它们不仅仅是推动情节发展的工具,更像是某种古老智慧的载体,每一个都有其存在的深层理由。整个故事的逻辑严密得让人惊叹,即便是那些最天马行空的设定,在作者的笔下也显得合情合理,构建了一个自洽的魔法体系。阅读过程中,我常常会停下来思考,如果是我身处那样的困境,我会如何抉择?这种代入感极强,让人欲罢不能。对于追求深度阅读体验的读者来说,这本书提供了一个绝佳的深度挖掘平台,值得反复品味。

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这本书最让我震撼的地方,在于它对“希望”这个概念的诠释。在经历了漫长而黑暗的旅程后,那种微弱但坚韧的光芒,正是支撑角色们走下去的动力。作者没有把英雄塑造成无所不能的救世主,相反,他们是充满了缺憾和恐惧的普通人,正是他们的勇气和相互扶持,才最终成就了伟大的事业。我特别欣赏作者在处理角色关系时的细腻手法,友谊、忠诚、背叛与和解,都被描绘得极其真实和动人。它的章节过渡处理得非常流畅自然,仿佛有一股无形的力量牵引着我,让我无法抗拒地想知道“接下来会发生什么”。与市面上很多为了销量而堆砌情节的作品不同,这本书的每一个段落,每一个对话,似乎都有其存在的价值和意义,服务于整体的美学和主题表达。它像是一幅精美的挂毯,每一个针脚都经过深思熟虑,最终呈现出令人叹为观止的图案。如果你想体验一场充满魔力、又不失人文关怀的史诗旅程,这本书绝对不容错过,它会温柔地触动你内心深处对美好事物的向往。

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天呐,我刚刚读完了一本让人魂牵梦绕的奇幻巨著,那种感觉就像是被人带着翅膀飞进了一个完全不同的世界,空气里都弥漫着魔法和冒险的气息!这本书的想象力简直是无边无际,作者构建的世界观宏大而又精致,每一个细节都充满了巧思。我尤其欣赏它叙事上的那种娓娓道来的力量,不是那种干巴巴的堆砌辞藻,而是像一位经验丰富的说书人,在你耳边轻声细语,慢慢地将你引入那个光怪陆离的国度。书中的角色塑造得极其立体,没有绝对的善恶之分,每个人物都有自己的挣扎和成长的轨迹,让你在阅读的过程中,仿佛也和他们一起经历了风霜雨雪,一起品尝了胜利的喜悦和失落的苦涩。这本书的结构设计也相当巧妙,几条看似独立的线索,最终汇集成一条波澜壮阔的长河,那种恍然大悟的震撼感,让人不得不佩服作者高超的布局能力。读完之后,那种意犹未尽的感觉久久不能散去,时不时会抬起头,望向窗外,心里还在期待着下一场奇遇的发生。这本书不仅仅是提供了逃离现实的通道,更是在提醒我们,勇气和信念的力量,永远是战胜黑暗的唯一武器。我强烈推荐给所有渴望在文字中寻找一片净土、体验史诗般冒险的读者,它绝对值得你为之投入时间与情感。

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我得说,这本书的“世界构建”简直是教科书级别的范例。它不是一次简单的地理描述,而是一次对完整生态、历史传承乃至文化习俗的深度挖掘。当我阅读时,我能清晰地感受到那个世界的四季更迭、风土人情,仿佛我的感官被完全调动了起来。作者对不同物种的描绘更是妙趣横生,那些非人类的角色,拥有着超越人类的智慧或独特的视角,为故事增添了无穷的层次感。更重要的是,这本书的叙事视角非常灵活,时而宏大如神祇俯瞰,时而又贴近角色的内心挣扎,这种切换使得故事既有史诗的磅礴气势,又不失个体命运的细腻刻画。我非常享受那种在未知中探索的感觉,每揭开一页,都像是发现了一处新的秘境或一段尘封的历史。这本书的魅力在于,它能同时满足对刺激冒险的渴望和对深度思考的需求。它让我重新思考了“真实”的定义,教会我在看似虚幻的故事中,找到可以依循的道德准则和情感共鸣。强烈推荐给所有热爱深度沉浸式阅读的同好们,这是一次值得收藏的阅读体验。

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说实话,我很少对一本书有如此强烈的“沉浸感”,这本书简直就像一个精心打磨的万花筒,每一个转动都能带来全新的绚烂景象。它的语言风格是如此的纯净而有力,有一种古典的韵味,但又丝毫不会让人觉得晦涩难懂。作者在描绘场景时,那种画面感简直是呼之欲出,我能清晰地“看”到阳光穿过古老森林的斑驳光影,能“听”到远方巨龙的低沉咆哮。更令人称道的是,它对人性复杂性的探讨,丝毫不逊色于那些所谓的“严肃文学”。它用最奇幻的包装,包裹着最深刻的哲学思考,比如关于牺牲、选择、以及时间流逝的意义。每次读到关键转折点,我都会停下来,反复咀嚼作者的措辞,感受那种情感的张力。这本书的节奏控制也堪称一绝,高潮迭起,低谷沉潜,张弛有度,让你在紧张的追逐中找到喘息的空间,又在宁静的片段里积蓄力量迎接下一个挑战。我感觉自己不是在阅读,而是在参与一场盛大的生命体验,它拓宽了我对“可能”的定义。如果你厌倦了那些套路化的情节和扁平的角色,这本书绝对能让你重新燃起对阅读的热情。

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印刷精美,内容丰富,值得给小朋友开拓眼界

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很棒!正版书,我会好好看的!

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很好 入门级读物

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英文书小巧真漂亮,如果有插图就更好了,还没开封

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大体扫了几眼,没看出来明显的错误。人民出版社还是值得信赖的。

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书的质量挺好的,很喜欢。

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质量挺好,赞赞赞赞(≧▽≦)/赞(≧▽≦)/赞(≧▽≦)/赞(≧▽≦)/赞(≧▽≦)(≧▽≦)/(≧▽≦)/赞(≧▽≦)/赞(≧▽≦)/赞(≧▽≦)/赞(≧▽≦)/赞(≧▽≦)/赞(≧▽≦)/赞(≧▽≦)/赞(≧▽≦)/赞

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非常满意,给孩子读的。

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书的纸张很不错,字迹虽然排版很小,但是很清晰。不错的购物

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