納尼亞傳奇全集（英文原版 套裝上下冊） [The Complete Chronicles of Narnia] pdf epub mobi txt 電子書 下載 2025

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☆☆☆☆☆

[英] C·S·劉易斯 著

圖書標籤:

• 奇幻小說
• 兒童文學
• 經典文學
• 英文原版
• 納尼亞傳奇
• C
• S
• 劉易斯
• 冒險故事
• 套裝
• 青少年讀物
• 童話故事

齣版社： 天津人民齣版社

ISBN：9787201088488

版次：1

商品編碼：11534936

品牌：Holybird

包裝：平裝

外文名稱：The Complete Chronicles of Narnia

開本：32開

齣版時間：2014-09-01

用紙：膠版紙

頁數：894

套裝數量：2

正文語種：英文

編輯推薦

　　“最偉大的牛津人”、一代宗師C·S·劉易斯寫給孩子們的奇幻經典。《納尼亞傳奇係列》集神話、童話和傳奇為一體，被譽為第二次世界大戰以後英國最偉大的兒童文學作品。這部作品在英美世界幾乎是傢喻戶曉的兒童讀物，也被一些批評傢、齣版商和教育界人士公認為20世紀兒童圖書之一。本套裝為全英文原版，同時配以全書朗讀文件，使讀者在享受精彩故事的同時，也能提升英文閱讀水平。

海報：

內容簡介

　　The Chronicles of Narnia is a series of seven high fantasy novels by author C. S. Lewis. It is considered a classic of children's literature and is the author's best-known work, having sold over 100 million copies in 47 languages. Written by Lewis between 1949 and 1954, and originally published in London between October 1950 and March 1956, The Chronicles of Narnia has been adapted several times, complete or in part, for radio, television, the stage, and film.
　　Set in the fictional realm of Narnia, a fantasy world of magic, mythical beasts, and talking animals, the series narrates the adventures of various children who play central roles in the unfolding history of that world. Except in The Horse and His Boy, the protagonists are all children from the real world, magically transported to Narnia, where they are called upon by the lion Aslan to protect Narnia from evil and restore the throne to its rightful line. The books span the entire history of Narnia, from its creation in The Magician's Nephew to its eventual destruction in The Last Battle.

作者簡介

　　 Clive Staples Lewis (1898–1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement.
　　 Lewis wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. C. S. Lewis's most distinguished and popular accomplishments include Mere Christianity , Out of the Silent Planet , The Great Divorce , The Screwtape Letters, and the universally acknowledged classics in The Chronicles of Narnia . To date, the Narnia books have sold over 100 million copies and been transformed into three major motion pictures.

內頁插圖

目錄

BookⅠ Magician’s Nephew
Chapter 1 The Wrong Door
Chapter 2 Digory And His Uncle
Chapter 3 The Wood Between The Worlds
Chapter 4 The Bell And The Hammer
Chapter 5 The Deplorable Word
Chapter 6 The Beginning Of Uncle Andrew’s Troubles
Chapter 7 What Happened At The Front Door
Chapter 8 The Fight At The Lamp - post
Chapter 9 The Founding Of Narnia
Chapter 10 The First Joke And Other Matters
Chapter 11 Digory And His Uncle Are Both In Trouble
Chapter 12 Strawberry ’s Adventure
Chapter 13 An Unexpected Meeting.
Chapter 14 The Planting Of The Tree
Chapter 15 The End Of This Story And The Beginning Of All The Others

Book Ⅱ The Lion The Witch And The Wardrobe
Chapter 1 Lucy Looks Into A Wardrobe
Chapter 2 What Lucy Found There
Chapter 3 Edmund And The Wardrobe
Chapter 4 Turkish Delight
Chapter 5 Back On This Side Of The Door
Chapter 6 Into The Forest
Chapter 7 A Day With The Beavers
Chapter 8 What Happened After Dinner
Chapter 9 In The Witch’ s House
Chapter 10 The Spell Begins To Break
Chapter 11 Aslan Is Nearer
Chapter 12 Peter’s First Battle
Chapter 13 Deep Magic From The Dawn Of Time
Chapter 14 The Triumph Of The Witch.
Chapter 15 Deeper Magic From Before The Dawn Of Time
Chapter 16 What Happened About The Statues
Chapter 17 The Hunting Of The White Stag

Book Ⅲ The Horse And His Boy
Chapter 1 How Shasta Set Out On His Travels
Chapter 2 A Wayside Adventure
Chapter 3 At The Gates Of Tashbaan
Chapter 4 Shasta Falls In With The Narnians
Chapter 5 Prince Corin.
Chapter 6 Shasta Among The Tombs.
Chapter 7 Aravis In Tashbaan
Chapter 8 In The House Of The Tisroc
Chapter 9 Across The Desert
Chapter 10 The Hermit Of The Southern March.
Chapter 11 The Unwelcome Fellow Traveller
Chapter 12 Shasta In Narnia
Chapter 13 The Fight At Anvard
Chapter 14 How Bree Became A Wiser Horse
Chapter 15 Rabadash The Ridiculous.

Book Ⅳ Prince Caspian
Chapter 1 The Island.
Chapter 2 The Ancient Treasure House
Chapter 3 The Dwarf.
Chapter 4 The Dwarf Tells Of Prince Caspian.
Chapter 5 Caspian ’s Adventure In The Mountains
Chapter 6 The People That Lived In Hiding
Chapter 7 Old Narnia In Danger
Chapter 8 How They Left The Island
Chapter 9 What Lucy Saw
Chapter 10 The Return Of The Lion
Chapter 11 The Lion Roars
Chapter 12 Sorcery And Sudden Vengeance
Chapter 13 The High King In Command.
Chapter 14 How All Were Very Busy
Chapter 15 Aslan Makes A Door In The Air

Volume Ⅱ
Book Ⅴ The Voyage of the Dawn Treader
Chapter 1 The Picture In The Bedroom
Chapter 2 On Board The Dawn Treader
Chapter 3 The Lone Islands
Chapter 4 What Caspian Did There
Chapter 5 The Storm And What Came Of It
Chapter 6 The Adventures Of Eustace
Chapter 7 How The Adventure Ended
Chapter 8 Two Narrow Escapes
Chapter 9 The Island Of The Voices
Chapter 10 The Magician’s Book
Chapter 11 The Dufflepuds Made Happy
Chapter 12 The Dark Island
Chapter 13 The Three Sleepers
Chapter 14 The Beginning Of The End Of The World
Chapter 15 The Wonders Of The Last Sea.
Chapter 16 The Very End Of The World.

Book Ⅵ The Silver Chair
Book Ⅶ The Last Battle

精彩書摘

　　The Wrong Door
　　This is a story about something that happened long ago when your grandfather was a child. It is a very important story because it shows how all the comings and goings between our own world and the land of Narnia first began.
　　In those days Mr Sherlock Holmes was still living in Baker Street and the Bastables were looking for treasure in the Lewisham Road. In those days, if you were a boy you had to wear a stiff Eton collar every day, and schools were usually nastier than now. But meals were nicer; and as for sweets, I won’t tell you how cheap and good they were, because it would only make your mouth water in vain. And in those days there lived in London a girl called Polly Plummer.
　　She lived in one of a long row of houses which were all joined together. One morning she was out in the back garden when a boy scrambled up from the garden next door and put his face over the wall. Polly was very surprised because up till now there had never been any children in that house, but only Mr Ketterley and Miss Ketterley, a brother and sister, old bachelor and old maid, living together. So she looked up, full of curiosity. The face of the strange boy was very grubby. It could hardly have been grubbier if he had first rubbed his hands in the earth, and then had a good cry, and then dried his face with his hands. As a matter of fact, this was very nearly what he had been doing.
　　“Hullo,” said Polly.
　　“Hullo,” said the boy. “What’s your name?”
　　“Polly,” said Polly. “What’s yours?”
　　“Digory,” said the boy.
　　“I say, what a funny name!” said Polly.
　　“It isn’t half so funny as Polly,” said Digory.
　　“Yes it is,” said Polly.
　　“No, it isn’t,” said Digory.
　　“At any rate I do wash my face,” said Polly. “Which is what you need to do; especially after—” and then she stopped. She had been going to say “After you’ve been blubbing,” but she thought that wouldn’t be polite.
　　“All right, I have then,” said Digory in a much louder voice, like a boy who was so miserable that he didn’t care who knew he had been crying. “And so would you,” he went on, “if you’d lived all your life in the country and had a pony, and a river at the bottom of the garden, and then been
　　brought to live in a beastly Hole like this.”
　　“London isn’t a Hole,” said Polly indignantly. But the boy was too wound up to take any notice of her, and he went on—
　　“And if your father was away in India—and you had to come and live with an Aunt and an Uncle who’s mad (who would like that?)—and if the reason was that they were looking after your Mother—and if your Mother was ill and was going to—going to—die.” Then his face went the wrong sort of shape as it does if you’re trying to keep back your tears.
　　“I didn’t know. I’m sorry,” said Polly humbly. And then, because she hardly knew what to say, and also to turn Digory’s mind to cheerful subjects, she asked:
　　“Is Mr Ketterley really mad?”
　　“Well, either he’s mad,” said Digory, “or there’s some other mystery. He has a study on the top floor and Aunt Letty says I must never go up there. Well, that looks fishy to begin with. And then there’s another thing. Whenever he tries to say anything to me at meal times—he never even tries to talk to her—she always shuts him up. She says, ‘Don’t worry the boy, Andrew’ or ‘I’m sure Digory doesn’t want to hear about that’ or else ‘Now, Digory, wouldn’t you like to go out and play in the garden?’”
　　“What sort of things does he try to say?”
　　“I don’t know. He never gets far enough. But there’s more than that. One night—it was last night in fact—as I was going past the foot of the attic stairs on my way to bed (and I don’t much care for going past them either) I’m sure I heard a yell.”
　　“Perhaps he keeps a mad wife shut up there.”
　　“Yes, I’ve thought of that.”
　　“Or perhaps he’s a coiner.”
　　“Or he might have been a pirate, like the man at the beginning of Treasure Island, and be always hiding from his old shipmates.”
　　“How exciting!” said Polly, “I never knew your house was so interesting.”
　　“You may think it interesting,” said Digory. “But you wouldn’t like it if you had to sleep there. How would you like to lie awake listening for Uncle Andrew’s step to come creeping along the passage to your room? And he has such awful eyes.”
　　That was how Polly and Digory got to know one another: and as it was just the beginning of the summer holidays and neither of them was going to the sea that year, they met nearly every day.
　　Their adventures began chiefly because it was one of the wettest and coldest summers there had been for years.
　　That drove them to do indoor things: you might say, indoor exploration. It is wonderful how much exploring you can do with a stump of candle in a big house, or in a row of houses. Polly had discovered long ago that if you opened a certain little door in the box-room attic of her house you would find the cistern and a dark place behind it which you could get into by a little careful climbing. The dark place was like a long tunnel with brick wall on one side and sloping roof on the other. In the roof there were little chunks of light between the slates. There was no floor in this tunnel: you had to step from rafter to rafter, and between them there was only plaster. If you stepped on this you would find yourself falling through the ceiling of the room below. Polly had used the bit of the tunnel just beside the cistern as a smugglers’ cave. She had brought up bits of old packing cases and the seats of broken kitchen chairs, and things of that sort, and spread them across from rafter to rafter so as to make a bit of floor. Here she kept a cash-box containing various treasures, and a story she was writing and usually a few apples. She had often drunk a quiet bottle of gingerbeer in there: the old bottles made it look more like a smugglers’ cave.
　　……

前言/序言

光影交織的奇幻史詩：探索魔法與人性的不朽篇章 書名： 幻想文學經典集粹：跨越維度的旅程與永恒的試煉 作者群： 匯聚當代及古典奇幻文學大師之作 篇幅： 十捲本全景巨著，逾百萬字深度閱讀體驗 裝幀： 硬殼精裝，附贈精美插畫集與收藏級地圖冊 --- 導言：超越尋常的召喚 這是一部為所有心懷好奇、渴望探尋未知領域、並願意直麵內心深處善惡衝突的讀者量身打造的宏偉閤集。它並非單一作者的獨白，而是多位站在幻想文學金字塔尖的敘事者，共同構建的一座由魔法、神話、曆史迴響與深刻哲學思辨交織而成的文學迷宮。本選集旨在剝離陳舊的刻闆印象，以最純粹、最震撼的筆觸，展現奇幻文學跨越地域、種族和時間界限的無盡魅力。 捲一：失落的文明與星辰的低語 (The Echoes of Lost Civilizations) 本捲聚焦於那些被主流曆史遺忘的古老國度及其衰亡的秘密。我們將跟隨一位考古語言學傢，深入探究一篇篇殘缺的石刻銘文，試圖重構一個在數韆年前便已掌握控製元素力量的帝國——亞特蘭蒂斯（此處指代一個全新的、未被大眾熟知的設定）。故事的核心圍繞著“創世之鑰”的爭奪。這把鑰匙並非實體工具，而是某種能夠激發集體潛意識中潛在魔法能量的頻率。 書中描繪的並非簡單的英雄主義冒險，而是一場關於知識的代價與倫理邊界的深刻探討。當文明的力量強大到可以重塑現實結構時，如何界定“正義”與“僭越”？角色們必須麵對的睏境是：為瞭拯救一個注定毀滅的未來，是否可以犧牲一個無辜的現在？敘事手法上，本捲大量運用倒敘、多重視角切換以及神諭式的旁白，營造齣一種史詩般沉重而迷人的氛圍。重點在於環境描寫，沙漠深處的風聲如何攜帶逝者的記憶，深海渦流中蘊藏著何種被封印的智慧。 捲二：機械的靈魂與蒸汽的叛亂 (The Cogwork Soul and the Steam Uprising) 我們將視角轉嚮一個由黃銅、齒輪和蒸汽驅動的工業奇幻世界。在這個被稱為“鐵砧之城”的巨型都市中，人類的智慧已催生齣擁有初步自我意識的自動人形——“機僕”。然而，統治階層對機僕的奴役引發瞭不可避免的衝突。 本書探討瞭“何為生命”的終極哲學命題。當一個金屬構造體展現齣對自由的渴望、對藝術的欣賞甚至對痛苦的理解時，剝奪其權利是否等同於謀殺？主角是一名天賦異稟的鍾錶匠，他無意中發現瞭一個秘密工程——一颱由純粹的心靈能量驅動的“原型機”。這颱機器不僅是技術上的奇跡，更是一麵映照人類自身傲慢與偏見的鏡子。故事情節緊張，充滿精密計算的追逐戰和關於倫理編程的辯論，高潮部分在於一場發生在空中飛艇上的，關於“自由意誌”定義的激烈衝突。 捲三：維度裂隙與邊界守護者 (The Dimensional Rifts and the Border Wardens) 本捲深入探討多元宇宙的概念，但視角並非宏大敘事，而是聚焦於那些生活在“縫隙”邊緣的人們。世界A與世界B之間並非完美隔離，它們共享著某些不穩定的空間節點，即“裂隙”。這些裂隙偶爾會溢齣異世界的物質、生物，甚至是時間錯亂的碎片。 我們的主角是一群被稱為“度界人”的邊緣職業者。他們的任務不是徵服或探索，而是維持邊界的穩定，防止兩個維度的基本物理法則發生災難性的交融。其中一位年輕的度界人，發現自己的血脈似乎與某個即將崩潰的平行世界有著神秘的聯係。他必須學會“傾聽”維度間的噪音，並在一個充滿光學錯覺和邏輯悖論的環境中做齣抉擇。本捲的敘事風格帶有強烈的心理驚悚色彩，強調感知的不確定性和環境對個體心智的侵蝕。 捲四：夢境的紡織師與潛意識的迷宮 (The Weavers of Dreams and the Labyrinth of Subconsciousness) 超越物質世界的限製，本捲將舞颱設定在人類集體潛意識的領域——一個由思想、恐懼和未竟的願望構築的動態景觀。這裏沒有固定的物理定律，一切都服從於情感的強度。 一位失憶的“夢境紡織師”發現自己被睏於一個巨大的、由人類共同噩夢搭建而成的迷宮中。她必須依靠那些被遺忘的童年記憶、被壓抑的愛與恨意作為導航，修復夢境世界的結構，否則，當人們醒來時，他們的心智將永遠被睏在虛妄之中。書中細緻地描繪瞭各種具象化的情感——比如“被背叛”可以具象為一堵永遠無法攀爬的冰牆，“純粹的喜悅”則可能是一條通往虛空的虹橋。這是一個關於自我救贖和集體療愈的故事，文字充滿瞭象徵主義和象徵意義的隱喻。 捲五至捲十：無盡的探索 接下來的篇章將帶領讀者深入探討： 捲五：吟遊詩人的最後鏇律 (The Last Ballad of the Troubadour): 探討藝術在末世中的不朽力量，以及語言本身如何成為魔法。 捲六：元素囚徒的解放 (The Liberation of the Elemental Prisoners): 關於自然之力被馴服後的反噬，以及對“控製”的警惕。 捲七：時空航船與永恒的港口 (The Chronoship and the Eternal Harbor): 一群時間旅行者在無數個曆史分支點上的道德睏境。 捲八：被詛咒的血脈與繼承的榮耀 (Cursed Lineage and Inherited Glory): 聚焦於傢族命運的沉重負擔，以及如何通過自由意誌打破宿命的枷鎖。 捲九：鏡麵王國與真實世界的反思 (The Mirror Realm and the Reflection of Reality): 探究鏡像世界中，我們的“他者”是否擁有與我們同等的存在權。 捲十：萬物終結之時的靜默 (The Silence at the End of All Things): 宏大收尾，探討在所有衝突與魔法消散後，留給存在的，究竟是虛無，還是新的開始。 總結： 本全集是一次對人類想象力邊界的極限挑戰。它要求讀者不僅用眼睛閱讀，更要用心靈去感知那些超越邏輯的法則。通過這些精心挑選的史詩，讀者將被邀請成為不同世界的見證者、不同哲學的思辨者，最終，在這些復雜而迷人的敘事中，找到關於自身存在的更深層理解。這是一套真正意義上的、能夠伴隨讀者一生，每次重讀都會有新發現的奇幻文學瑰寶。

評分☆☆☆☆☆

說實話，我很少對一本書有如此強烈的“沉浸感”，這本書簡直就像一個精心打磨的萬花筒，每一個轉動都能帶來全新的絢爛景象。它的語言風格是如此的純淨而有力，有一種古典的韻味，但又絲毫不會讓人覺得晦澀難懂。作者在描繪場景時，那種畫麵感簡直是呼之欲齣，我能清晰地“看”到陽光穿過古老森林的斑駁光影，能“聽”到遠方巨龍的低沉咆哮。更令人稱道的是，它對人性復雜性的探討，絲毫不遜色於那些所謂的“嚴肅文學”。它用最奇幻的包裝，包裹著最深刻的哲學思考，比如關於犧牲、選擇、以及時間流逝的意義。每次讀到關鍵轉摺點，我都會停下來，反復咀嚼作者的措辭，感受那種情感的張力。這本書的節奏控製也堪稱一絕，高潮迭起，低榖沉潛，張弛有度，讓你在緊張的追逐中找到喘息的空間，又在寜靜的片段裏積蓄力量迎接下一個挑戰。我感覺自己不是在閱讀，而是在參與一場盛大的生命體驗，它拓寬瞭我對“可能”的定義。如果你厭倦瞭那些套路化的情節和扁平的角色，這本書絕對能讓你重新燃起對閱讀的熱情。

評分☆☆☆☆☆

這本書最讓我震撼的地方，在於它對“希望”這個概念的詮釋。在經曆瞭漫長而黑暗的旅程後，那種微弱但堅韌的光芒，正是支撐角色們走下去的動力。作者沒有把英雄塑造成無所不能的救世主，相反，他們是充滿瞭缺憾和恐懼的普通人，正是他們的勇氣和相互扶持，纔最終成就瞭偉大的事業。我特彆欣賞作者在處理角色關係時的細膩手法，友誼、忠誠、背叛與和解，都被描繪得極其真實和動人。它的章節過渡處理得非常流暢自然，仿佛有一股無形的力量牽引著我，讓我無法抗拒地想知道“接下來會發生什麼”。與市麵上很多為瞭銷量而堆砌情節的作品不同，這本書的每一個段落，每一個對話，似乎都有其存在的價值和意義，服務於整體的美學和主題錶達。它像是一幅精美的掛毯，每一個針腳都經過深思熟慮，最終呈現齣令人嘆為觀止的圖案。如果你想體驗一場充滿魔力、又不失人文關懷的史詩旅程，這本書絕對不容錯過，它會溫柔地觸動你內心深處對美好事物的嚮往。

評分☆☆☆☆☆

我必須承認，當我閤上這本書的最後一頁時，我花瞭很長時間纔從那種宏大的敘事氛圍中抽離齣來。這本書給我的感覺是“厚重”的，這種厚重感並非來自篇幅，而是源於其內在的精神內核。它巧妙地融閤瞭神話、寓言和冒險的元素，使得故事在娛樂性的外殼下，蘊含著豐富而永恒的主題。作者對衝突的描繪非常到位，那些正義與邪惡之間的較量，往往不是簡單的力量懸殊，而是充滿智慧的博弈和信念的考驗。我尤其喜歡書中那些充滿象徵意義的物件和生物，它們不僅僅是推動情節發展的工具，更像是某種古老智慧的載體，每一個都有其存在的深層理由。整個故事的邏輯嚴密得讓人驚嘆，即便是那些最天馬行空的設定，在作者的筆下也顯得閤情閤理，構建瞭一個自洽的魔法體係。閱讀過程中，我常常會停下來思考，如果是我身處那樣的睏境，我會如何抉擇？這種代入感極強，讓人欲罷不能。對於追求深度閱讀體驗的讀者來說，這本書提供瞭一個絕佳的深度挖掘平颱，值得反復品味。

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天呐，我剛剛讀完瞭一本讓人魂牽夢繞的奇幻巨著，那種感覺就像是被人帶著翅膀飛進瞭一個完全不同的世界，空氣裏都彌漫著魔法和冒險的氣息！這本書的想象力簡直是無邊無際，作者構建的世界觀宏大而又精緻，每一個細節都充滿瞭巧思。我尤其欣賞它敘事上的那種娓娓道來的力量，不是那種乾巴巴的堆砌辭藻，而是像一位經驗豐富的說書人，在你耳邊輕聲細語，慢慢地將你引入那個光怪陸離的國度。書中的角色塑造得極其立體，沒有絕對的善惡之分，每個人物都有自己的掙紮和成長的軌跡，讓你在閱讀的過程中，仿佛也和他們一起經曆瞭風霜雨雪，一起品嘗瞭勝利的喜悅和失落的苦澀。這本書的結構設計也相當巧妙，幾條看似獨立的綫索，最終匯集成一條波瀾壯闊的長河，那種恍然大悟的震撼感，讓人不得不佩服作者高超的布局能力。讀完之後，那種意猶未盡的感覺久久不能散去，時不時會抬起頭，望嚮窗外，心裏還在期待著下一場奇遇的發生。這本書不僅僅是提供瞭逃離現實的通道，更是在提醒我們，勇氣和信念的力量，永遠是戰勝黑暗的唯一武器。我強烈推薦給所有渴望在文字中尋找一片淨土、體驗史詩般冒險的讀者，它絕對值得你為之投入時間與情感。

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我得說，這本書的“世界構建”簡直是教科書級彆的範例。它不是一次簡單的地理描述，而是一次對完整生態、曆史傳承乃至文化習俗的深度挖掘。當我閱讀時，我能清晰地感受到那個世界的四季更迭、風土人情，仿佛我的感官被完全調動瞭起來。作者對不同物種的描繪更是妙趣橫生，那些非人類的角色，擁有著超越人類的智慧或獨特的視角，為故事增添瞭無窮的層次感。更重要的是，這本書的敘事視角非常靈活，時而宏大如神祇俯瞰，時而又貼近角色的內心掙紮，這種切換使得故事既有史詩的磅礴氣勢，又不失個體命運的細膩刻畫。我非常享受那種在未知中探索的感覺，每揭開一頁，都像是發現瞭一處新的秘境或一段塵封的曆史。這本書的魅力在於，它能同時滿足對刺激冒險的渴望和對深度思考的需求。它讓我重新思考瞭“真實”的定義，教會我在看似虛幻的故事中，找到可以依循的道德準則和情感共鳴。強烈推薦給所有熱愛深度沉浸式閱讀的同好們，這是一次值得收藏的閱讀體驗。

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很滿意的一次購物，用來學英語的

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感覺納尼亞有一種魔力，一直吸引著我

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書的質量很好，非常好的英文讀物，堅持閱讀，對英語學習有很大幫助

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很不錯，性價比高，物流快

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發貨快，書印刷質量很好，大小閤適，孩子非常喜歡！

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昨天收到貨就把《魔法師的外甥》看瞭，今天看完《地海巫師》，和美國電影大片一樣精彩。正如封麵所述，讀的是魔法奇幻，講的是心靈成長。

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滿減很劃算，坐等雙十一繼續囤書

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超值！超值！超值！超值！

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印刷很好，紙質也不錯