西方文化讀本(第二版)

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南宮梅芳,訾纓,白雪蓮 著
圖書標籤:
  • 西方文化
  • 文化史
  • 曆史
  • 哲學
  • 藝術
  • 文學
  • 社會
  • 文明
  • 西方文明
  • 文化研究
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齣版社: 北京大學齣版社
ISBN:9787301254851
版次:2
商品編碼:11798378
包裝:平裝
叢書名: 高等學校本科英語教改新教材
開本:16開
齣版時間:2015-10-01
用紙:輕型紙
頁數:224
字數:430000

具體描述

編輯推薦

The Middle Ages of Europe is usually regarded as a “dark period” by many historians, but it is this dark period that gave birth to the university. The European university in Middle Ages, in terms of educational conception and curricula, inherited from both oriental and western civilization, especially ancient Greece, ancient Rome and Arabian world and characterized the early form of university.
Establishment of the University
The first institutions generally considered to be universities were established in Italy, France, Spain and England in the late 11th and the 12th centuries for the study of arts, law, medicine, and theology. ①These universities evolved from much older Christian cathedral schools and monastic schools, and it is difficult to define the date at which they became true universities. Universities were formalized when they were granted charters. The University of Bologna can trace its origins back to the late 11th century and received its charter in the 12th century.
Other early universities established in Europe include the University of Paris in France and Oxford in England. Before 1500 more than eighty universities were established in Western and Central Europe. During the subsequent Colonization of the Americas the university was introduced to the New World, marking the beginning of its worldwide spread as the center of higher learning everywhere.
Characteristics
②The university of the Middle Ages was not entirely unlike the modern institution that we are familiar with today, in that its ostensible goal was to train the next generation of young minds for a career — in this case, the church.
Initially the universities of the Middle Ages did not have physical facilities such as the campus of a modern university. Classes were taught wherever space was available, such as churches and homes. A university was not a physical space but a collection of individuals banded together as a universitas. Soon, however, some universities (such as Cambridge) began to rent, buy or construct buildings specifically for the purposes of teaching.
Universities were generally structured along three types, depending on who paid the teachers. The first type was in Bologna, where students hired and paid for the teachers. The second type was in Paris, where teachers were paid by the church. The third type, such as Oxford and Cambridge, was predominantly supported by the crown and the state. These structural differences created other characteristics. At the Bologna University the students ran everything — a fact that often put teachers under great pressure and disadvantage. In Paris, teachers ran the school; thus Paris became the premiere spot for teachers from all over Europe. In Bologna, where students chose more secular studies, the main subject was law. Latin was the language of instruction throughout the middle ages, and beyond.
Curriculum and Degree
University studies took six years for a Master of Arts degree (a Bachelor of Arts degree could be awarded along the way), which entitled a scholar to teach anywhere in Christendom. By the 13th century, almost half of the highest offices and over one-third of the second-highest offices in the Church were occupied by degreed masters. The studies for this were organized by the faculty of arts, where the seven liberal arts were taught: arithmetic, geometry, astronomy, music theory, grammar (the art of reading and writing, focusing on the psalms, other parts of the Bible, and the Latin classics), rhetoric and logic. The primary emphasis was on logic.
A popular textbook for university study was called the Sentences; theology students and masters were required to write extensive commentaries on this text as part of their curriculum. ③Once a Master of Arts degree had been conferred, the student could leave the university or pursue further studies in one of the higher faculties, law, medicine, or theology, the last one being the most prestigious.
④Courses were not elective: the course offerings were set, and everyone had to take the same courses. There were, however, occasional choices as to which teacher to use.
Social Life
The social life at the medieval university was also quite similar to today’s system. ⑤Their rules and regulations set up provisions against gambling, flamboyant dress, staying up to all hours, and associating with loose women. Students were afforded the legal protection of the clergy. In this way no one was allowed to physically harm them; they could only be tried for crimes in a church court, and were thus immune from any corporal punishment. This produced many abuses: theft, rape and murder were not uncommon among students. And as much as modern-day professors may complain, 21st-century students who stay up late drinking in pubs are doing no more than following the tradition established by their forebears.
Significance of the Universities during the Middle Ages
⑥ The development of universities during the Middle Ages provided and still provides an important center for scholarship and intellectual exchange. It has a profound influence on the modern university and the formation of prototype of higher educational system. The modern disciplines of the sciences are particularly deeply rooted within this academic hierarchy that was initially developed in the Middle Ages.
(956 words)

內容簡介

《西方文化讀本》用英語編寫,力圖為學習者展現西方文化的概貌。編者在選材時盡量將曆史概述與具體故事、知識性和趣味性相結閤,調動學習者對閱讀的興趣,斯巴達的勇士、埃及艷後的故事、歌德的愛情、尼采的哲學等等,這些對於大部分學生來說曾是""道聽途說""來的模糊形象,都可以在這本書中找到清晰的介紹。為瞭適應課堂教學和語言操練的需要,作者在每篇選讀文章後都配備瞭適閤的練習。練習形式豐富多樣,使學生在閱讀之後可以通過練習來檢查和鞏固所學知識。

作者簡介

總主編:史寶輝, 北京林業大學外語學院院長、教授。主編:南宮梅芳、訾纓、白雪蓮,北京林業大學外語學院教授,開設"西方文化"課程多年。

目錄

目 錄




Unit 1 Ancient Greek Culture and Wisdom…1
Section A Greek Mythology…1
Section B City-States: Athens and Sparta…8
Section C Socrates …14

Unit 2 Roman Empire and Latin Culture…24
Section A History of Roman Empire…24
Section B All Roads Lead to Rome…30
Section C Cleopatra, the Egyptian Queen and Her Love Affairs…36

Unit 3 The Bible and Its History…46
Section A History of the Bible…46
Section B The Christmas Story of the Birth of Jesus…53
Section C Genesis…58

Unit 4 The Middle Ages and the Rise of Modern Europe…69
Section A The Middle Ages…69
Section B The Rise of the States…77
Section C The Rise of Universities in the Middle Ages…83

Unit 5 Renaissance and Church Reformation…95
Section A Renaissance…95
Section B The Reformation…102
Section C Henry VIII and His Six Wives…109

Unit 6 Enlightenment and the Origin of Modern Science…120
Section A The Age of Enlightenment…120
Section B On the Shoulders of Giants: Isaac Newton and Modern Science…127
Section C Francis Bacon: Fame and Disgrace…132
Unit 7 Romanticism and Realism…143
Section A Romanticism in Europe…143
Section B Romanticism in America…151
Section C Realism in Europe…157

Unit 8 Modernism and Contemporary Western Culture…172
Section A Modernism and Modernist Movement…172
Section B The Distinct Character of Contemporary American Culture …180
Section C How Contemporary American Society Tramples on Principles
of Integrity…187

Glossary…198















前言/序言







《西方文化讀本(第二版)》圖書簡介 這是一本旨在全麵而深入地探索西方文明發展曆程與核心精神的讀物。全書以宏大的曆史視角,梳理瞭西方文化從古希臘羅馬的哲學與民主萌芽,經曆中世紀的宗教與騎士精神,再到文藝復興的藝術與人文覺醒,啓濛運動的思想解放,直至近現代社會的科學、工業與多元思潮的演變。 本書的特色在於其內容的廣博性與結構性。它不僅僅是一部曆史教科書,更是一扇瞭解西方思想、藝術、哲學、社會製度及生活方式的窗口。我們選取瞭最具代錶性的曆史事件、思想傢、藝術傢及其作品,力求呈現一個立體而鮮活的西方文化圖景。 第一部分:文明的奠基者——古希臘與古羅馬 我們將從西方文明的搖籃——古希臘齣發,探討其哲學思想的開端,如蘇格拉底的追問、柏拉圖的理念世界、亞裏士多德的邏輯與科學體係。同時,也會深入瞭解古希臘的民主製度、史詩、悲喜劇等文學藝術形式,以及它們對後世的深遠影響。隨後,我們將目光轉嚮羅馬,分析其法律體係、工程技術、帝國製度的構建,以及羅馬文化如何繼承與發展瞭希臘文明,並將其傳播至歐洲廣袤的土地。 第二部分:信仰與秩序——中世紀歐洲 步入中世紀,本書將重點展現基督教在西方文化中的核心地位,從其教義的傳播、教會的組織,到修道院對知識的保存與傳承,再到哥特式建築的宏偉壯麗。同時,我們也會考察封建製度下的社會結構、騎士精神的形成,以及這一時期在科學、哲學等方麵(如經院哲學)的探索。 第三部分:覺醒與革新——文藝復興與宗教改革 文藝復興是西方文化史上一個裏程碑式的轉摺點。本部分將詳細闡述人文主義思潮的興起,藝術巨匠如達·芬奇、米開朗琪羅、拉斐爾的傑作,文學作品如莎士比亞的戲劇,以及科學發現對世界觀的重塑。宗教改革的浪潮同樣不容忽視,我們將分析其對歐洲宗教格局、政治權力以及思想觀念帶來的顛覆性變化。 第四部分:理性與自由——啓濛運動與近代早期 啓濛運動是西方思想史上的又一次思想大爆炸。本書將重點介紹洛剋、盧梭、孟德斯鳩等啓濛思想傢關於自由、平等、民主、分權等理念,以及這些理念如何在政治革命(如法國大革命)中付諸實踐。同時,我們也將探討科學革命的成果,如牛頓的力學體係,以及理性主義在各個領域的滲透。 第五部分:變革與多元——近現代西方文化 進入近現代,西方社會經曆瞭工業革命的巨大衝擊,科學技術以前所未有的速度發展。本部分將分析工業化帶來的社會變遷、城市化進程,以及由此産生的新的社會思潮,如浪漫主義、現實主義、象徵主義等文學藝術流派。同時,我們也關注20世紀至今的西方文化,包括兩次世界大戰的影響、現代主義與後現代主義的挑戰、全球化背景下的文化交流與碰撞,以及女權主義、環保主義等多元價值觀的崛起。 貫穿全書的視角 在敘述過程中,本書注重將文化現象置於具體的曆史語境中進行解讀,強調不同文化要素之間的相互影響與演變。我們不僅關注宏大的曆史敘事,也力圖展現普通人的生活狀態,通過文學、藝術、日常生活等細節,讓讀者更真實地感受西方文化的溫度與脈絡。 本書采用嚴謹的學術態度,同時注重語言的生動性與可讀性,力求讓不同背景的讀者都能輕鬆地進入西方文化的殿堂,從中獲得啓發與思考。無論您是學生、學者,還是對西方文化抱有濃厚興趣的讀者,《西方文化讀本(第二版)》都將是您探索、理解與欣賞西方文明的理想夥伴。

用戶評價

評分

作為一名非專業的讀者,我常常在閱讀一些曆史書籍時感到力不從心,因為知識體係龐大,時間綫索復雜,很容易迷失方嚮。然而,《西方文化讀本(第二版)》以其清晰的結構和有條理的敘述,極大地緩解瞭我的這種焦慮。它將西方文化的發展劃分為幾個相對獨立又相互關聯的篇章,每個篇章都聚焦於某個特定的時期或主題,並且在內部又進行瞭細緻的劃分,使得讀者能夠循序漸進地掌握知識。我最欣賞的是,作者在每個章節的結尾,都會對本章內容進行小結,並提齣一些引發思考的問題,這不僅幫助我鞏固瞭所學知識,更激發瞭我進一步探索的興趣。

評分

作為一個對西方曆史和文化一直充滿好奇但又缺乏係統性知識的學習者,偶然間翻閱到這本《西方文化讀本(第二版)》,簡直如獲至寶。它就像一位經驗豐富的老友,耐心地引導著我一步步踏入那個既熟悉又陌生的廣闊天地。從書的裝幀開始,就透著一股沉靜而厚重的氣息,紙張的質感也十分舒適,單憑這一點,就足以讓人心生好感,期待接下來的閱讀體驗。我一直覺得,瞭解一個文化,最直接的方式就是去觸碰它的核心思想和曆史脈絡,而這本書顯然抓住瞭這一點。它沒有落入泛泛而談的窠臼,而是從一些關鍵的節點切入,比如古希臘的哲學思辨,羅馬帝國的法律與政治遺産,基督教的傳播與影響,文藝復興時期的藝術與人文主義覺醒,再到啓濛運動的思想光輝,工業革命的社會變革,以及近代以來的各種思潮和運動。每一部分都像是打開瞭一扇新的大門,讓我得以窺見西方文明發展的關鍵動力和內在邏輯。

評分

我一直對藝術史情有獨鍾,而《西方文化讀本(第二版)》在這方麵的內容也讓我非常滿意。書中對於古希臘雕塑的莊重與和諧,哥特式建築的垂直嚮上與神秘,文藝復興時期繪畫的寫實與人文關懷,巴洛剋藝術的華麗與戲劇性,以及印象派畫作的光影與瞬間捕捉,都進行瞭詳細而生動的介紹。我最喜歡的是,作者並沒有將藝術孤立地看待,而是將其置於當時的社會、政治、宗教背景之下,去分析藝術作品的産生原因、時代特徵以及它們所要傳達的思想內涵。通過閱讀,我不僅欣賞到瞭那些傳世的藝術珍品,更理解瞭它們背後所蘊含的時代精神和文化密碼。

評分

作為一個對現代西方政治製度感興趣的讀者,我在這本《西方文化讀本(第二版)》中找到瞭我想要的答案。書中對古希臘民主的起源與局限,羅馬共和製的興衰,中世紀封建製度的演變,近代民族國傢的形成,以及近代以來民主、自由、平等、人權等核心政治理念的發展演變,都進行瞭清晰的梳理。特彆是對英國光榮革命、法國大革命、美國獨立戰爭等重大曆史事件的分析,讓我對現代西方政治製度的形成過程有瞭更深刻的認識。作者通過對這些事件的解讀,展示瞭西方社會在爭取政治權利和完善政治製度過程中的探索、鬥爭與進步,讓我對“民主”這個概念有瞭更全麵的理解。

評分

這本《西方文化讀本(第二版)》最讓我印象深刻的,是它在梳理龐雜史料的同時,並沒有忽略那些鮮活的人物和生動的故事。我一直相信,曆史是由人譜寫的,而人物的性格、選擇和命運,往往能更深刻地摺射齣時代的精神。書中有對柏拉圖、亞裏士多德等哲人的深入剖析,讓我看到瞭他們思想的深刻與復雜;有對凱撒、奧古斯都等帝王的生平描繪,讓我感受到瞭權力與野心的交織;有對達芬奇、米開朗琪羅等藝術巨匠的介紹,讓我領略到瞭藝術的魅力與創造力;更有對盧梭、伏爾泰等啓濛思想傢的解讀,讓我感受到瞭理性與自由的力量。這些人物的命運起伏,他們的思想碰撞,他們的功過是非,都被作者用一種娓娓道來的方式呈現在我麵前,讓我仿佛置身於那個波瀾壯闊的時代,與他們一同經曆著曆史的變遷。

評分

我原本以為,一本關於西方文化的讀本,可能會充斥著枯燥的理論和晦澀的哲學名詞,但《西方文化讀本(第二版)》完全顛覆瞭我的這種預設。它的語言風格非常親切自然,即使是對於一些比較復雜的概念,作者也能用通俗易懂的語言加以解釋,並且輔以大量的例證和引述,使得閱讀過程變得輕鬆而富有啓發性。我尤其喜歡書中對於不同文化要素之間的聯係與演變的梳理,它不僅僅是孤立地介紹某個時期的文化成就,而是強調瞭這些文化是如何在曆史的長河中相互影響、相互藉鑒,最終形成我們今天所看到的西方文明。這種宏觀的視角,讓我對西方文化的整體性有瞭更深刻的理解,也對文明發展的規律有瞭新的認識。

評分

總而言之,《西方文化讀本(第二版)》是一本非常值得推薦的著作。它以其宏大的視野、細膩的筆觸、清晰的邏輯和生動的語言,成功地將西方文化這顆璀璨的明珠呈現在我麵前。它不僅僅是一本教科書,更像是一位智慧的嚮導,帶領我穿越曆史的迷霧,理解文化的根源,感悟人類文明的進步。無論是對西方文化感興趣的初學者,還是希望係統梳理知識的進階者,都能從中獲益良多。我會毫不猶豫地將這本書推薦給我的朋友們,希望他們也能和我一樣,在這本書中找到屬於自己的啓迪與樂趣。

評分

這本書最大的優點之一,在於它對於曆史細節的把握和對文化深層意義的挖掘。它並沒有滿足於簡單地陳述曆史事件,而是深入探究瞭這些事件背後的原因、影響以及它們在西方文化發展中的重要性。例如,在講述宗教改革時,作者不僅僅描述瞭馬丁·路德的行動,更深入剖析瞭宗教改革如何動搖瞭羅馬教廷的權威,如何促進瞭民族國傢的形成,以及如何深刻地影響瞭西方人的精神世界。又如,在闡述啓濛運動時,作者並沒有停留在介紹盧梭、伏爾泰等人的思想,而是進一步探討瞭他們的思想如何滲透到政治、法律、教育等各個領域,並最終孕育瞭現代西方社會的基本框架。這種層層遞進、由錶及裏的分析,讓我的理解更加透徹。

評分

閱讀《西方文化讀本(第二版)》的過程,不僅僅是一次知識的積纍,更是一次思維的洗禮。我發現,西方文化中蘊含著許多值得我們學習和藉鑒的價值理念,例如對理性精神的追求,對個體自由的強調,對民主與法治的重視,以及對科學與創新的鼓勵。這些理念在書中被反復提及,並且通過具體的曆史事件和人物得以體現,讓我對這些抽象的概念有瞭更具體、更生動的理解。我開始反思,這些西方文化的核心元素,與我們自身的文化傳統,有哪些異同之處?它們又是如何影響著當今世界的格局?這些思考讓我覺得,閱讀這本書不僅僅是為瞭瞭解西方,更是為瞭更好地理解我們自身,以及我們所處的這個多元化的世界。

評分

這本書的參考文獻和推薦閱讀列錶也做得非常齣色,這對於渴望深入研究的讀者來說,無疑是一份寶貴的資源。在閱讀過程中,我經常會遇到一些引起我極大興趣的觀點或事件,當我翻到書的結尾,看到作者列齣的相關書籍時,我仿佛看到瞭繼續探索的道路。這種設計不僅體現瞭作者嚴謹的學術態度,也為讀者提供瞭一個擴展閱讀的便捷途徑,讓我感到這本書的價值遠不止於眼前的紙麵內容,它更像是一扇通往更廣闊知識海洋的門戶。我已經在計劃著根據這些推薦,去圖書館藉閱一些更專業的著作,進一步加深我的理解。

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