Take Ivy [精装] pdf epub mobi txt 电子书 下载 2025

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☆☆☆☆☆

Shosuke Ishizu，Toshiyuki Kurosu，Hajime Hasegawa 著

图书标签:

• 校园风
• 常春藤
• 复古
• 时尚
• 穿搭
• 美式风格
• 经典
• 摄影
• 生活方式
• 潮流

出版社： powerHouse Books

ISBN：9781576875506

商品编码：19041602

包装：精装

出版时间：2010-08-31

用纸：胶版纸

页数：142

正文语种：英文

商品尺寸：18.29x1.27x24.89cm;0.54kg

内容简介

Described by The New York Times as, "a treasure of fashion insiders," Take Ivy was originally published in Japan in 1965, setting off an explosion of American-influenced "Ivy Style" fashion among students in the trendy Ginza shopping district of Tokyo. The product of four sartorial style enthusiasts, Take Ivy is a collection of candid photographs shot on the campuses of America's elite, Ivy League universities. The series focuses on men and their clothes, perfectly encapsulating the unique academic fashion of the era. Whether lounging in the quad, studying in the library, riding bikes, in class, or at the boathouse, the subjects of Take Ivy are impeccably and distinctively dressed in the finest American-made garments of the time.

Take Ivy is now considered a definitive document of this particular style, and rare original copies are highly sought after by "trad" devotees worldwide. A small-run reprint came out in Japan in 2006 and sold out almost immediately. Now, for the first time ever, powerHouse is reviving this classic tome with an all-new English translation. Ivy style has never been more popular, in Japan or stateside, proving its timeless and transcendent appeal. Take Ivy has survived the decades and is an essential object for anyone interested in the history or future of fashion.

作者简介

Teruyoshi Hayashida was born in the fashionable Aoyama District of Tokyo, where he also grew up. He began shooting cover images for Men’s Club magazine after the title’s launch. Very sophisticated in style and a connoisseur of gourmet food, he is known for his homemade, soy-sauce-marinated Japanese pepper (sansho), and his love of gunnel tempura and Riesling wine.

Shosuke Ishizu is the representative director of Ishizu Office. Originally born in Okayama Prefecture, after graduating from Kuwasawa Design School he worked in the editorial division at Men’s Club until 1960 when he joined VAN Jacket Inc. He established Ishizu Office in 1983, and now produces several brands including Niblick.

Toshiyuki Kurosu was raised in Tokyo. He joined VAN Jacket Inc. in 1961, where he was responsible for the development of merchandise and sales promotion. He left the company in 1970 and started his own business, Cross and Simon. After the dissolution of his brand, he began appearing on the legendary variety show Asayan on TV Tokyo as a regular and soon gained popularity. He is also an active writer and intellectual.

Hajime (Paul) Hasegawa is from Hyogo Prefecture. After studying in the U.S., Hasegawa returned to Japan in 1963 to join VAN Jacket Inc. At VAN, he was responsible for advertising and PR. For the production of Take Ivy, Hasegawa was the main coordinator and interpreter on the ground. He has since held several managerial positions in Japan and abroad and currently serves as executive director for Cosmo Public Relations Corporation.

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从一个纯粹的审美角度来看，这本书的整体视觉语言非常统一和高级。它的色彩运用非常克制和精妙。如果封面是深沉的墨绿色或者午夜蓝，那么内页的插图（如果有的话，或者仅仅是装饰性的边框）也会呼应这种色调，可能采用低饱和度的灰褐色或米白作为点缀。这种色彩的和谐性，使得整本书在视觉上形成了一种连贯的、令人心安的整体感。它没有使用任何花哨的、哗众取宠的设计元素，所有的装饰都服务于内容的衬托。这种“少即是多”的设计哲学，反而凸显了其内在的份量感。它不会让你一眼惊艳，但当你开始仔细观察时，会发现每一个微小的设计决策都是经过深思熟虑的，透露出一种低调的自信，仿佛在说：“我的价值不需要用浮夸的外表来证明。”

评分☆☆☆☆☆

这本精装书的装帧简直是艺术品。皮革的纹理和烫金的字体在光线下闪烁着低调而奢华的光芒，让人爱不释手。我特意把它放在了书架最显眼的位置，每次路过都会忍不住伸手摩挲一下封面。翻开书页，那种厚重、细腻的纸张触感，配合着恰到好处的油墨印刷，每一次阅读都变成了一种仪式感。装帧设计者对细节的关注度令人惊叹，连书脊的缝合处都处理得如此平整有力，可见制作者的匠心。这种级别的装帧，完全配得上它所承载的——如果它真的讲述了某些经典故事或深度见解的话——它本身就是一件值得收藏的物件。我甚至有点舍不得频繁翻动，生怕过度的使用会损伤了这份精美。不过，真正的价值最终还是取决于内容，但就外在的呈现而言，它无疑树立了一个极高的行业标杆，展现了图书制作工艺的巅峰水准。那种沉甸甸的感觉，拿在手里仿佛握住了某种久远而珍贵的知识传承。

评分☆☆☆☆☆

我对这套书的排版设计印象极其深刻，它巧妙地平衡了信息密度和阅读舒适度。字体选择上，它采用了一种略带古典气质却又清晰易读的衬线体，字号大小适中，行距和字距都经过了细致的考量，即便是长时间阅读也不会感到眼睛疲劳。更值得称赞的是，版式设计中对留白的使用达到了炉火纯青的地步。每一页的页边距都预留了足够的空间，这不仅使得页面看起来疏朗有致，更重要的是，为读者提供了思考和批注的宝贵空间，这在如今许多过度拥挤的现代出版物中是极为罕见的。这种排版风格体现了一种对阅读体验的尊重，它没有急于把所有信息一股脑地塞给你，而是留出了“呼吸”的空间。这套书的内文设计仿佛在无声地邀请你慢下来，去品味每一个字句，而不是囫囵吞枣地快速浏览，这无疑提升了整体的阅读品质。

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这本书在尺寸和重量的把控上也达到了一个微妙的平衡点。它并非那种轻飘飘的口袋书，也不会重到让人拿着就感到负担。恰到好处的开本尺寸，既保证了足够的阅读视野，又方便单手持握，即便是在通勤的地铁上，也能相对舒适地进行阅读。这种“适中”的设计，显示了设计者对用户实际使用场景的充分理解。它既有精装书的仪式感，又保有了一定的便携性，避免了过度庞大带来的笨拙感。整体的重心分布非常均匀，拿在手里感觉非常扎实，这再次印证了其高标准的制造工艺。总而言之，这本书的物理形态，从触感到视觉，再到手感，都在不断地赞美着“质量”这个词语的真正含义，让人对内容本身产生了更高的期待和敬意。

评分☆☆☆☆☆

我必须提及这套书的装订质量。它采用的是锁线胶订结合的方式，即便是像我这样喜欢将书本完全摊开阅读的读者，也能发现它具有极佳的平摊性。很多精装书为了追求美观而牺牲了实用性，打开时总需要费力压着，但这本则不然，它能够稳定地平放在桌面上，让人可以专心沉浸于文字之中，完全解放了双手。这种稳定性，对于需要参考和对比阅读的场合尤为重要。此外，书页的韧性看起来也非常好，纸张的边缘裁剪得干净利落，没有任何毛刺或松散的迹象。这种高质量的装订，预示着这本书可以经受住时间的考验，可以作为家庭图书馆中的常青树，被一代又一代人翻阅而不至于散架。这不仅仅是一本书，更像是一个被精心打造的工具，它的结构坚固耐用，体现了对书籍物理形态持久性的承诺。

评分☆☆☆☆☆

一直想买的，到手后，发现印刷很不好。。。。

评分☆☆☆☆☆

Madras plaid, Top-Siders, seersucker shorts, highwater trousers, tweed jackets, Brooks Brothers, J. Press, and J. Crew. What comes to mind?

评分☆☆☆☆☆

一直想买的，到手后，发现印刷很不好。。。。

评分☆☆☆☆☆

Madras plaid, Top-Siders, seersucker shorts, highwater trousers, tweed jackets, Brooks Brothers, J. Press, and J. Crew. What comes to mind?

评分☆☆☆☆☆

New in paperback. Menswear has evolved from existing in niche markets to procuring mainstream acceptance. With consumers reveling in fashion and the associated lifestyle products, contemporary fashion design for men has become a beacon for masculine identity. Creating this focus is a group of visionaries who have shifted the boundaries of menswear design, designers who have broken with convention to visualize radical and directional clothing. They are not concerned with the formalities and traditions of menswear but see their garments as an expression of contemporary thought. With a huge range of imagery, Modern Menswear showcases these radicals in fashion, profiling big names and emerging talent from across the world. Designers profiled include Marc Jacobs, Yohji Yamamoto, Vivienne Westwood and Hedi Slimane of Dior Homme, providing an insight into their design processes and their contribution to the contemporary fashion aesthetic.

评分☆☆☆☆☆

New in paperback. Menswear has evolved from existing in niche markets to procuring mainstream acceptance. With consumers reveling in fashion and the associated lifestyle products, contemporary fashion design for men has become a beacon for masculine identity. Creating this focus is a group of visionaries who have shifted the boundaries of menswear design, designers who have broken with convention to visualize radical and directional clothing. They are not concerned with the formalities and traditions of menswear but see their garments as an expression of contemporary thought. With a huge range of imagery, Modern Menswear showcases these radicals in fashion, profiling big names and emerging talent from across the world. Designers profiled include Marc Jacobs, Yohji Yamamoto, Vivienne Westwood and Hedi Slimane of Dior Homme, providing an insight into their design processes and their contribution to the contemporary fashion aesthetic.

评分☆☆☆☆☆

好书

评分☆☆☆☆☆

New in paperback. Menswear has evolved from existing in niche markets to procuring mainstream acceptance. With consumers reveling in fashion and the associated lifestyle products, contemporary fashion design for men has become a beacon for masculine identity. Creating this focus is a group of visionaries who have shifted the boundaries of menswear design, designers who have broken with convention to visualize radical and directional clothing. They are not concerned with the formalities and traditions of menswear but see their garments as an expression of contemporary thought. With a huge range of imagery, Modern Menswear showcases these radicals in fashion, profiling big names and emerging talent from across the world. Designers profiled include Marc Jacobs, Yohji Yamamoto, Vivienne Westwood and Hedi Slimane of Dior Homme, providing an insight into their design processes and their contribution to the contemporary fashion aesthetic.

评分☆☆☆☆☆

很好，不错哦、、、