打開畫冊,讀者不僅可以享受一場視覺的盛宴,更能觸摸中國的世界遺産身後沉積的五韆年悠長曆史,還有厚重精深的中華文化,由此增進對中國的瞭解。
Opening this album, you can not only enjoy a visual feast of pictures, but also get to know about the 5,000-year-long history and the profound Chinese culture involved in the world heritage sites so as to have a better understanding of China.
《中國的世界遺産》畫冊,是對中國的世界遺産的全麵、集中展示。它以600多幅高清、精美的圖片,從不同視角方位展示瞭中國世界遺産的獨特魅力,並以生動的文字,講述這些遺産背後的曆史、文化、自然、地理知識,揭示它們不可替代和無法再造的獨特價值。
The album World Heritage Sites in China is a complete and integrated presentation of the world heritage sites in China. Boasting more than 600 high definition exceptional pictures, it showcases the unique charms of the world heritage sites in China from different angles, vividly introduces the historic, cultural, natural and geographic knowledge about the sites and unveils their irreplaceable value that cannot be reproduced.
《中國的世界遺産》編委會。編委會由著名攝影傢茹遂初先生擔任圖片主編,從全國各地100多名資深攝影師手中徵集近3000幅作品,從中精選600多幅佳作。
Editorial board of the World Heritage Sites in China. Mr. Ru Suichu, renowned photographer, acts as the editor-in-chief of pictures. He elaborately selected more than 600 fine pictures from nearly 3,000 works taken by more than 100 senior photographers for this album.
The Great Wall
Imperial Palace of the Ming and Qing Dynasties
Mount Taishan
Mausoleum of the First Qin Emperor and Terracotta Warriors
The Mogao Caves
Peking Man Site at Zhoukoudian
Mount Huangshan
Jiuzhaigou Valley Scenic and Historic Interest Area
Wulingyuan Scenic and Historic Interest Area
Huanglong Scenic and Historic Interest Area
The Mountain Resort and Outlying Temples, Chengde
Temple and Cemetery of Confucius and the Kong Family Mansion in Qufu
The Potala Palace at Lhasa
Ancient Building Complex in the Wudang Mountains
Lushan National Park
Mount Emei and Leshan Giant Buddha
The Ancient City of Pingyao
Classical Gardens of Suzhou
The Old Town of Lijiang
The Summer Palace
The Temple of Heaven
Mount Wuyi
Dazu Rock Carvings
Mount Qingcheng and the Dujiangyan Irrigation System
Longmen Grottoes
Ancient Villages in Southern Anhui – Xidi and Hongcun
Imperial Tombs of the Ming and Qing Dynasties
Yungang Grottoes
Sanjiang, Where Three Mighty Rivers Run Abreast
Capital Cities and Tombs of the Ancient Koguryo Kingdom
The Historic Centre of Macao
Habitat of Sichuan giant panda
Yin Xu
Kaiping Diaolou and Villages
The Limestone Landscapes of South China
Fujian Earthen Building
Mount Sanqingshan in Jiangxi
Mount Wutai
Historic Monuments of Dengfeng in “the Center of Heaven and Earth”
China Danxia
West Lake of Hangzhou
Site of the Upper Yuan Capital
Chengjiang Fossil Site
Xinjiang Tianshan Mountains
Hani Terraces
Silk Roads: the Routes Network of Chang’an-Tianshan Corridor
Grand Canal
Chinese Tusi Sites
The Fujian earthen building is a miracle in China’s architectural history, maintaining a long migration history and a huge ethnic group’s long life memory. The Fujian earthen building is a typical Hakka architectural form. Its birth and development both had to do with Hakkas.
Hakkas were originally Hans living near the Yellow River basin on the central plains. From the beginning of the 4th century AD, they were forced to migrate to the south several times due to chaos caused by war and other reasons in nearly 1,000 years. In the course of fleeing their home, either in long and arduous journeys or at new unfamiliar places, they must solve many difficulties through concerted efforts. Therefore, wherever they went, people with the same family name must live together. In the late Southern Song Dynasty (1127-1279) at the latest, they had formed relatively stable ethnic groups in today’s Guangdong, Fujian, Guangxi, Jiangxi, Hunan, etc. To differentiate them from local natives, they were called “Hakkas”.
……
As a country with an ancient civilization, a rich historical legacy and magnificent natural scenery, China has already become an active force in the discovery, research and protection of cultural and natural heritage since ratifying the “Convention Concerning the Protection of World Cultural and Natural Heritage” in 1985. As the end of 2015, China had 48 cultural relic sites and natural landscapes on the “World Heritage List”, and it is still pursuing the heritage application process. China’s cultural and natural heritage belongs not only to China but to the whole world and all of humanity.
This book, “China’s World Heritage”, is a large-scale pictorial that focuses at length on these 48 legacies. Lively descriptions introducing the related cultural items, history, geography and natural expertise are accompanied by exquisite photographs displaying the unique value of China’s World Heritage. They help the reader to understand the shape of Chinese culture developed over thousands of years, political ideology, moral concepts, philosophical ideas, aesthetic pursuits, life interests and even the conduct and spirit of the Chinese people. They also inspire people to think about the meaning of traditional culture and the natural environment as a source of power and sustenance in a way we trust will gain the reader’s support.
從內容上看,編纂者的選材眼光非常獨到,避開瞭許多常見的明信片角度,力求呈現齣遺址更深層次、更具故事性的麵貌。我翻閱到某一處古代水利工程的章節時,原以為會看到宏偉的泄洪口,沒想到書中卻花瞭大篇幅去描繪其隱藏在地下的復雜暗渠係統,配上細緻的綫描圖,讓人不禁驚嘆於古人的智慧,那是照片難以捕捉到的精妙。又比如對某處石窟藝術的展示,它沒有滿足於遠景的莊嚴,而是聚焦於幾尊造像的麵部特寫,那種飽經風霜的眼神、微微上揚的嘴角,仿佛穿越韆年與你進行無聲的交流,這種情感上的連接是空泛的描述所無法企及的。這種對“細節之美”和“內在精神”的捕捉,使得整本書的格調一下子被拔高瞭,讓人感覺像是一位經驗豐富的考古學傢在為你私人導覽。
評分這本畫冊的裝幀設計著實是令人眼前一亮。精裝的硬殼摸上去質感十足,那種沉甸甸的分量感,立刻就讓人覺得這是一本值得珍藏的精品。封麵采用的啞光處理,配上燙金的字體,低調中透著一股曆史的厚重感,即便是擺在書架上,也像是藝術品一樣。內頁紙張的選擇更是考究,那種略帶米白色的厚磅銅版紙,不僅讓色彩的還原度極高,即便是印刷再精美的照片,也絲毫不顯得油膩或刺眼,翻閱起來手感極其順滑。我特彆注意到,裝訂部分處理得非常平整,無論是靠近書脊還是邊緣,摺頁都處理得一絲不苟,這對於一本承載瞭如此多宏大景觀的圖集來說至關重要,因為隻有平攤後纔能完整欣賞那些跨頁的壯麗景色。從開箱的那一刻起,我就能感受到齣版方在細節上傾注的心血,這不僅僅是一本書,更像是一份精心準備的禮物,讓人忍不住想立刻打開它,去探尋那些未曾謀麵的奇跡。
評分這本書的排版布局簡直是教科書級彆的示範。它沒有采用那種簡單粗暴的大圖堆砌方式,而是巧妙地將文字信息與視覺元素進行瞭平衡與對話。在介紹每一處遺址時,開篇往往會用一到兩頁的篇幅留給一張極具衝擊力的全景或代錶性角度的圖像,瞬間將讀者的心神拉入那個場景之中,背景的留白恰到好處,不會讓人覺得擁擠。隨後纔是詳細的文字解說,這些文字並非乾巴巴的官方介紹,而是融入瞭曆史的縱深感和人文的溫度,敘述的節奏張弛有度。最妙的是,它會在關鍵的細節處,比如某段雕刻的特寫,或者某處建築的結構剖麵,插入精緻的小圖或示意圖,這種多層次的視覺引導,極大地提升瞭閱讀的效率和深度。即便是對曆史不太瞭解的讀者,也能通過這種視覺上的層層遞進,構建起對該遺産地的立體認知。
評分語言風格上的拿捏尤其值得稱贊,它成功地在學術的嚴謹性和大眾的可讀性之間找到瞭一個絕佳的平衡點。對於那些復雜的地質成因或王朝更迭的背景描述,作者們沒有使用晦澀難懂的術語,而是采用瞭非常清晰、邏輯性強的敘事結構,如同講故事一般娓娓道來,即便是初次接觸這些知識的讀者也能輕鬆跟上思路。然而,在描述那些自然奇觀時,文字又會變得極富感染力,充滿瞭對自然偉力的敬畏,那種用詞的選擇,如“磅礴”、“鬼斧神工”、“時間凝固的琥珀”,讀來令人心潮澎湃。這種語言的“變調”能力,使得閱讀過程如同在不同的遺址間穿梭,時而是冷靜的學者,時而又是激動的旅行者,避免瞭整本書因語調單一而産生的枯燥感,讓知識的吸收過程變得愉悅且充滿期待。
評分這本書在信息呈現上的創新性,真正讓我看到瞭當代齣版技術與文化傳承的完美結閤。它不僅是靜態的圖片展示,更像是一個多維度的信息門戶。我發現,在每一處重要地點的介紹旁,都設計瞭二維碼(或者類似的標識),這暗示著讀者可以通過掃描獲取更深層次的資料,也許是三維模型、曆史文獻的節選,甚至是現場的紀錄片片段。雖然我沒有實際掃描去驗證,但這種“延伸閱讀”的思路,極大地拓寬瞭紙質書的邊界,讓實體書不再是一個終點,而是一個導嚮更廣闊知識海洋的起點。它尊重瞭現代讀者的信息獲取習慣,同時又保留瞭實體書帶來的沉浸感和儀式感,這種對“體驗升級”的追求,絕對是未來文旅和文化類齣版物值得藉鑒的方嚮。
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