Product details
Paperback: 744 pages
Publisher: TASCHEN (29 Nov. 2016)
Language: Multilingual
ISBN-10: 3836526522
ISBN-13: 978-3836526524
Product Dimensions: 15.2 x 5.1 x 20.3 cm
Modernist quintessence: The birth of the International StyleOffering an unrivaled record of architecture and design, the living diary of domus was founded by Gio Ponti in 1928. Through the years and decades that followed, the journal charted the major themes and movements of industrial, interior, product, and structural design with an eye for creative excellence as much as editorial rigor.This fresh reprint features domus s coverage from the transformative years between 1928 and 1939. It is an era famed for the emergence of the International Style when the likes of Le Corbusier, Mies van der Rohe, Marcel Breuer, Robert MaIIet-Stevens, Alvar Aalto, and Richard Neutra channeled modernist ideals into rectilinear forms, restrained surfaces, and open, luminous interiors.The domus coverage of this decisive decade spanned the details and the grand designs. From soaring steel skyscrapers to tubular furniture, its coverage is a definitive record of how light, form, and pared-down aesthetics combined in the pursuit of an honest and utilitarian form for the modern and rapidly industrializing age.domus distilled Seven volumes spanning 1928 to 1999 Over 6,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context New introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers and manufacturers namesAbout the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite!Text in English, French, German, and Italian"
domus 1930s (Bibliotheca Universalis) (Multilingual) Paperback – 25 Mar 2016
by Charlotte & Peter Fiell (Author, Editor)
說實話,我本以為這會是一本枯燥的圖錄集,但《Bibliotheca Universalis》完全超齣瞭我的預期。它的敘事方式非常新穎,不是那種教科書式的說教,而更像是一位經驗豐富的設計大師在娓娓道來他的設計心路曆程。那些關於光影、比例和尺度的討論,初看似乎有些深奧,但隨著閱讀的深入,你會發現它們其實是構成一個完美居住空間的基礎邏輯。特彆是關於“人與環境的互動”那一塊,Domus 的設計師們似乎有一種魔力,能將冰冷的建築結構賦予生命力,讓空間能夠“呼吸”並迴應居住者的情感需求。這本書的裝幀本身就是一件藝術品,沉甸甸的質感和優雅的字體選擇,都體現瞭對閱讀體驗的極緻追求。
評分這本書的排版設計本身就是一場視覺盛宴,讓人愛不釋手。Domus 的編輯團隊顯然在視覺傳達上下瞭極大的功夫,每一頁的留白都恰到好處,圖片與文字的布局達到瞭完美的平衡。讀這本書的過程,與其說是學習知識,不如說是一種沉浸式的感官體驗。它激發瞭我對材質和色彩搭配的全新理解。以前我總覺得設計是關於“做什麼”,而這本書讓我明白瞭設計更是關於“為什麼”。它探討瞭不同文化中“傢”的概念的演變,這使得整個閱讀過程充滿瞭曆史的厚重感和未來的想象空間。對於任何一個對生活空間有更高追求的人來說,這本書都是一個不可多得的參考寶典。
評分坦白說,這本書的閱讀門檻不低,它需要的不是快速瀏覽,而是深度的沉思。它不是那種能讓你快速獲得“裝修點子”的書,而是能從根本上重塑你對居住美學的認知。Domus 在書中對細節的苛求令人敬佩,他們似乎並不滿足於錶麵的光鮮亮麗,而是深入到結構、力學乃至社會學層麵去解讀空間的功能。我特彆喜歡它對於“儀式感”在日常生活中的體現的討論,如何通過建築語言來烘托每一個平凡的日常瞬間,讓生活變得更有層次感。這本書,與其說是購買瞭一本設計書,不如說投資瞭一套看待世界的全新視角,它會陪伴我很久,每一次重讀都會有新的感悟。
評分我最近在著手改造我的小公寓,感覺靈感枯竭的時候,隨手翻開瞭這本《Bibliotheca Universalis》。裏麵的某些特定案例,比如那個位於地中海邊的小房子設計,簡直是為我打開瞭一扇窗。它不是簡單地復製粘貼彆人的設計,而是教你如何從零開始構建自己的“場域感”。這本書的厲害之處在於,它提供瞭大量的思考框架,讓你學會用批判性的眼光去看待現有的設計範式。它的深度遠超一般的室內設計雜誌,更像是一份需要靜下心來反復研讀的文獻。我尤其欣賞它對“可持續性”和“地方性”的關注,這些元素被巧妙地融入到每一個設計細節中,使得最終呈現的作品既具有永恒的美感,又不失時代精神。
評分這本《Bibliotheca Universalis》簡直是設計界的“聖經”,雖然我還沒完全讀完,但光是翻閱那些精美的插圖和排版就足夠讓人沉醉其中瞭。它不僅僅是一本關於建築或室內設計的工具書,更像是一部關於“傢”的哲學探討。書中的案例跨越瞭不同的文化背景和時代,從古典的莊嚴到現代的極簡,無一不展現齣 Domus 設計團隊對於空間美學的深刻理解。最讓我驚艷的是它對材料的運用描述,那些關於木材紋理、石材肌理的細膩文字,仿佛能讓我隔著紙張觸摸到實物。每一個章節的過渡都非常自然,仿佛帶著讀者進行瞭一場穿越時空的傢居之旅,讓人在閱讀中不斷反思自己的居住環境,思考如何纔能真正地“住”在一個空間裏,而不是僅僅“待”在裏麵。
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